{"id":945,"date":"2026-02-22T14:34:32","date_gmt":"2026-02-22T14:34:32","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=945"},"modified":"2026-06-23T23:31:03","modified_gmt":"2026-06-23T23:31:03","slug":"poster-15","status":"publish","type":"page","link":"https:\/\/shatranj.art\/bn\/exhibit\/poster-15\/","title":{"rendered":"\u09aa\u09cb\u09b8\u09cd\u099f\u09be\u09b0 \u09e7\u09eb"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"945\" class=\"elementor elementor-945\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8fd0c1a e-flex e-con-boxed e-con e-parent\" data-id=\"8fd0c1a\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-a491ef7 e-con-full e-flex e-con e-child\" data-id=\"a491ef7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-25c1e59 elementor-widget elementor-widget-image\" data-id=\"25c1e59\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-scaled.jpeg\" class=\"attachment-full size-full wp-image-1910\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-scaled.jpeg 2560w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-300x200.jpeg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-1024x683.jpeg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-768x512.jpeg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-1536x1024.jpeg 1536w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-2048x1366.jpeg 2048w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-18x12.jpeg 18w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ede708d elementor-widget elementor-widget-text-editor\" data-id=\"ede708d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2 data-section-id=\"nzwfu3\" data-start=\"1082\" data-end=\"1134\">Traditional Turkish Draughts: The K\u0131rkp\u0131nar of Dama<\/h2><h3 data-section-id=\"6mc36t\" data-start=\"1136\" data-end=\"1186\">An Anatolian Game with a Wider Regional Life<\/h3><p data-start=\"1187\" data-end=\"1671\">Turkish Draughts, known as <em data-start=\"1214\" data-end=\"1220\">Dama<\/em>, is one of the distinctive strategy games of Turkish and Anatolian culture, while also belonging to a broader Mediterranean and Middle Eastern family of draughts traditions. Unlike diagonal checkers, Turkish Dama is played with straight-line movement: pieces move forward and sideways, creating a direct, tactical, and often aggressive style of play. When a piece reaches the final row, it becomes a <em data-start=\"1621\" data-end=\"1627\">Dama<\/em>, gaining long-range power across the board.<\/p><h3 data-section-id=\"11njufm\" data-start=\"1673\" data-end=\"1729\">From Coffeehouse Culture to the Championship Arena<\/h3><p data-start=\"1730\" data-end=\"2161\">This photograph shows Dama as both a competitive mind sport and a living social ritual. In Mustafakemalpa\u015fa, the International Turkish Dama Championship has become known as <em data-start=\"1903\" data-end=\"1924\">Dama\u2019n\u0131n K\u0131rkp\u0131nar\u0131<\/em>\u2014a symbolic meeting place for masters, spectators, and enthusiasts from T\u00fcrkiye and abroad. Around the board, the old culture of commentary, patience, humor, and deep calculation continues, now carried into a formal championship setting.<\/p><h3 data-section-id=\"1ckl56x\" data-start=\"2163\" data-end=\"2213\">A School of Patience, Foresight, and Respect<\/h3><p data-start=\"2214\" data-end=\"2585\" data-is-last-node=\"\" data-is-only-node=\"\">In Turkish Dama, mastery is measured not only by victory, but by the ability to see several moves ahead, read hidden threats, and transform a simple line of pieces into a long-range plan. The scene captures the communal spirit of the game: players and spectators gather closely, watching, smiling, calculating, and preserving a strategic heritage renewed with every move.<br \/><br \/><\/p><h2>Keny: Caucasian Checkers and the Ossetian Tradition<\/h2><p>Keny, also known as Caucasian Checkers, is a regional draughts game played in the Caucasus and nearby areas of Turkey. The name <em>Keny<\/em> comes from Ossetian usage, reflecting the game\u2019s strong association with Ossetia, while related names and rule traditions also appear among neighboring communities. Like Turkish Dama, Keny is played on an 8\u00d78 board with pieces arranged in two starting rows, and its movement is built around straight, orthogonal lines rather than the diagonal logic of Western checkers.<\/p><p>What makes Keny especially distinctive is its dynamic movement system. A piece may capture backward, and in some rules it may even jump over a friendly piece without capturing it, using the leap to travel faster across the board. This gives Keny a remarkable rhythm: part battle, part race, part spatial puzzle. As a cousin of Turkish and Armenian draughts, it shows how board games travel through borderlands, adapting to local cultures while preserving a shared strategic language.<\/p><h2>Armenian Draughts: Tama and the Double-Grid Imagination<\/h2><p>Armenian Draughts, also known as <em>Tama<\/em>, is a variant of the Turkish Dama family played in Armenia and Armenian communities. It keeps the straight-line tactical character of Turkish Dama, but expands the movement system by allowing diagonal motion. Ordinary pieces may move forward, sideways, or diagonally forward, while promoted kings may move across the board in all eight directions, much like a queen in chess.<\/p><p>Despite this expanded mobility, capture remains rooted in the orthogonal tradition: pieces capture through straight-line jumps, not diagonal ones. This creates a fascinating hybrid game, combining the direct force of Turkish Dama with the wider geometry of diagonal movement. Armenian Draughts therefore stands as a bridge between two draughts worlds: the \u201cstraight\u201d family of Dama and the diagonal family more familiar in European checkers. It is a compact example of how a shared game form can become a cultural signature through small but powerful rule changes.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Traditional Turkish Draughts: The K\u0131rkp\u0131nar of Dama An Anatolian Game with a Wider Regional Life Turkish Draughts, known as Dama, is one of the distinctive strategy games of Turkish and Anatolian culture, while also belonging to a broader Mediterranean and Middle Eastern family of draughts traditions. Unlike diagonal checkers, Turkish Dama is played with straight-line [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-945","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/pages\/945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/comments?post=945"}],"version-history":[{"count":31,"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/pages\/945\/revisions"}],"predecessor-version":[{"id":1917,"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/pages\/945\/revisions\/1917"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/bn\/wp-json\/wp\/v2\/media?parent=945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}