{"id":1021,"date":"2026-02-22T16:28:38","date_gmt":"2026-02-22T16:28:38","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1021"},"modified":"2026-02-23T05:16:08","modified_gmt":"2026-02-23T05:16:08","slug":"poster-25","status":"publish","type":"page","link":"https:\/\/shatranj.art\/bs\/exhibit\/poster-25\/","title":{"rendered":"plakat 25"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u015eAH\u00ce Bucephalus: <\/strong>Naslije\u0111e strategije i kulture<\/strong><\/p>

Ovaj lik nosi naslije\u0111e Philippa Stamme, prevodioca iz Alepa, poznatog po svom djelu Essai sur le jeu des \u00e9checs, objavljenom u Parizu 1737. godine. Dizajn konja, s francuskim loknama u grivi, predstavlja besprijekornu sintezu racionalnog na\u010dina razmi\u0161ljanja Prosvjetiteljstva i drevne strate\u0161ke dubine Istoka. Oblici unutar komada uspostavljaju kulturni most, spajaju\u0107i takti\u010dki genij \u201cStamma Matea\u201d, kojeg je Stamma donio iz Alepa u Evropu, s vojnom mo\u0107i makedonskog konja, Bucefalusa.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1950 Dubrovnik i Staunton: <\/b>Identitet i tradicionalne granice u dizajnu<\/b><\/p>

\u00a0<\/p>

Ovaj vizualni prikaz kontrastira dvije razli\u010dite filozofije dizajna u svijetu \u0161aha. Dubrova\u010dki skaka\u010d iz 1950. godine je figura puna karaktera, koju je Bobby Fischer opisao kao \u201cnajbolji dizajn \u0161ahovskih figura ikada napravljen\u201d, a isti\u010de se svojim o\u0161trim i skulpturalnim linijama. Dinamika njegovog dizajna odra\u017eava strate\u0161ki duh \u0161aha kroz jedinstveni umjetni\u010dki jezik.<\/p>

\u00a0<\/p>

Nasuprot tome, Staunton dizajn se pojavio sredinom 19. stolje\u0107a prvenstveno da bi se pojednostavila masovna proizvodnja i osigurala uniformnost zasnovana na tradicionalnim zapadnim oblicima. Budu\u0107i da uklju\u010duje religijske simbole poput mitre biskupa i kri\u017ea, Staunton komplektu nedostaje sekularni i inkluzivni identitet; umjesto toga, on ostaje ograni\u010den unutar granica specifi\u010dne tradicionalne strukture. Razlika izme\u0111u ovih dviju silueta nagla\u0161ava razliku izme\u0111u potrage za jedinstvenim karakterom u \u0161ahu i standardiziranog, tradicionalnog formata.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Vitez Luj: Sjeverna ostav\u0161tina srednjeg vijeka<\/b><\/p>

Kao remek-djelo skandinavske zanatlije iz 12. stolje\u0107a, ova figura je dio svjetski poznate kolekcije Lewisovih \u0161ahovskih figura, otkrivene 1831. godine na \u0161kotskom otoku Lewis. Pedantno isklesana od mor\u017eovog slonova\u010de, figura dokumentuje estetsku evoluciju \u0161aha dok se \u0161irio Evropom. Prikaz konjanika simbolizira duboku vezu izme\u0111u igre i plemstva te vojne hijerarhije srednjovjekovnog dru\u0161tva. Ova ikoni\u010dna silueta ostaje izvanredno svjedo\u010danstvo umjetni\u010dke vje\u0161tine tog doba i trajnog statusa igre kao umjetni\u010dkog djela.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Vitezov mar\u0161: geometrijska zagonetka uma<\/b><\/p>

Kru\u017ena turneja skaka\u010da zasniva se na principu da skaka\u010d posjeti svaku polje na \u0161ahovnici ta\u010dno jednom. Od Al-Adlija u Bagdadu u 9. stolje\u0107u do Leonharda Eulera u Evropi prosvjetiteljstva 18. stolje\u0107a, ovaj je problem fascinirao genije kao savr\u0161enu harmoniju matematike i strategije. Rje\u0161enje prikazano ovdje pokazuje kako skokovi viteza stvaraju slo\u017eenu i o\u010daravaju\u0107u simetriju, otkrivaju\u0107i \u201cgeometrijsku poeziju\u201d i univerzalnu logiku \u0161aha.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Legendarni Bucefalus:\u00a0 <\/b>Simbol osvajanja i odanosti<\/b><\/p>

\u00a0<\/p>

Ovaj mozaik prikazuje Bucefalusa, makedonskog konja i najbli\u017eeg pratioca Aleksandra Velikog. Bucefalus, koji je ostao uz Aleksandra tokom svih njegovih pohoda, preminuo je u dana\u0161njem Pakistanu, upravo u regiji gdje su se prvi put ukorijenili historijski korijeni \u0161aha. Osim \u0161to predstavlja jednu od najtrajnijih ljudsko-\u017eivotinjskih veza u historiji, ova ikoni\u010dna figura stoji kao simbol kulturnog sjeci\u0161ta Istoka i Zapada, s putovanjem koje se protezalo od Makedonije do doline Inda. Ova pri\u010da, spajaju\u0107i vojnu vje\u0161tinu s nepokolebljivom odano\u0161\u0107u, \u010duva sje\u0107anje na epsko putovanje koje je zavr\u0161ilo u kolevci \u0161aha.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce Bucephalus: A Legacy of Strategy and Culture This figure carries the legacy of Philipp Stamma, the translator from Aleppo renowned for his work Essai sur le jeu des echecs, published in Paris in 1737. The design of the knight, featuring French curls in its mane, represents the seamless synthesis between the rational mindset of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1021","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":7,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/1021\/revisions"}],"predecessor-version":[{"id":1243,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/1021\/revisions\/1243"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/media?parent=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}