{"id":1068,"date":"2026-02-22T18:39:42","date_gmt":"2026-02-22T18:39:42","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1068"},"modified":"2026-02-24T09:00:42","modified_gmt":"2026-02-24T09:00:42","slug":"poster-29","status":"publish","type":"page","link":"https:\/\/shatranj.art\/bs\/exhibit\/poster-29\/","title":{"rendered":"plakat 29"},"content":{"rendered":"
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\u015eAH\u00ce postavlja kraljevsku figuru: G\u00fcl\u015fah<\/strong><\/p>

G\u00fcl\u015fah predstavlja mudrost marame, svetost i autoritet kupole, te ru\u017eu kao simbol \u017eivota i ljepote, koju je potrebno za\u0161tititi od mat-a. Kupola crpi inspiraciju iz ikoni\u010dnih struktura poput Aja Sofije, Panteona i MIT-a. Marama odra\u017eava intelektualno naslije\u0111e ranih autora \u0161aha, kao \u0161to su As-Suli i Stamma, dok kruna podsje\u0107a na maslinove vijence sa drevnih Olimpijskih igara. Historijski, ovaj je komad nazivan raja, \u0161ah, kralj ili komandant. \u201cG\u00fcl\u201d na jezicima Srednje Azije zna\u010di ru\u017ea. \u201c\u015eah\u201d, izgovara se \u2018\u0160ah\u2019, naziv je za \u0161ah u mnogim jezicima. Iako je \"\u0161ah\" izvorno ozna\u010davao mu\u0161ku vladavinu, njegova metafori\u010dka ili moderna upotreba postala je rodno neutralna.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Opis i ba\u0161tina<\/strong><\/p>

G\u00fcl\u015fah komad ima prepoznatljiv dizajn pokrivala za glavu koji odaje po\u010dast intelektualnim divovima historije \u0161aha. Pokrivalo za glavu je modelirano po uzoru na tradicionalne turbane koje su nosile li\u010dnosti poput srednjovjekovnog majstora as-Sulija i Philippa Stammme, majstora i kraljevskog prevodioca iz 18. stolje\u0107a. Ro\u0111en u Alepu i aktivan u glavnim intelektualnim centrima Londona i Pariza, Stamma je bio istinski multikulturalna li\u010dnost \u010diji su rad kao tuma\u010da britanske dr\u017eave i njegov pionirski sistem notacije u \u0161ahu povezali isto\u010dne i zapadne tradicije. Ovaj dizajn ulijeva figuri osje\u0107aj duboke mudrosti i nau\u010dnog autoriteta.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ljubi\u010dice i maslinova kruna Olimpa<\/strong><\/p>

Kruna komada \u015eAH\u00ce monarha sadr\u017ei latice ru\u017ee koje simboliziraju ljepotu i krhkost \u017eivota\u2014dragocjeno stanje koje se mora \u017eestoko \u0161tititi, ba\u0161 kao \u0161to se kralj \u010duva na \u0161ahovnici da bi se sprije\u010dio mat. Ovaj dizajn je dodatno inspirisan maslinovom krunom Olimpa, povezuju\u0107i historijsku potragu za pobjedom s o\u010duvanjem nje\u017ene prirode \u017eivota.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Naslije\u0111e prosvjetiteljstva<\/strong>
Naslije\u0111e R\u00e9gencea u \u015eah\u00ee setu<\/strong><\/p>

\u00a0<\/p>

Francuski set R\u00e9gence simbolizira Prosvjetiteljstvo, eru definiranu razumom i potragom za znanjem. Igrali su ga historijski divovi poput Benjamina Franklina, Napoleona Bonapartea i majstora Philidora u \u010duvenom Caf\u00e9 de la R\u00e9gence, a ovaj set postao je standard za intelektualno nadmetanje. \u0160ahovski set \u015eah\u00ee namjerno \u010duva ovo naslije\u0111e. Crpe\u0107i inspiraciju iz cvjetnih motiva kralja Regencije za figuru G\u00fcl\u015fah, set \u015eah\u00ee spaja evropsku eleganciju 18. stolje\u0107a s dubokim nau\u010dnim tradicijama Istoka, odaju\u0107i po\u010dast majstorima koji su definirali zlatno doba igre.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce set monarch\/king\/shah piece: G\u00fcl\u015fah G\u00fcl\u015fah represents the wisdom of the headwrap, the sanctity and authority of the dome, and rose as a symbol of life and beauty, which must be protected from checkmate. The dome draws inspiration from iconic structures like the Hagia Sophia, the Pantheon, and MIT. The headwrap reflects the intellectual legacy […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1068","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/1068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/comments?post=1068"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/1068\/revisions"}],"predecessor-version":[{"id":1561,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/1068\/revisions\/1561"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/media?parent=1068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}