{"id":945,"date":"2026-02-22T14:34:32","date_gmt":"2026-02-22T14:34:32","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=945"},"modified":"2026-06-23T23:31:03","modified_gmt":"2026-06-23T23:31:03","slug":"poster-15","status":"publish","type":"page","link":"https:\/\/shatranj.art\/bs\/exhibit\/poster-15\/","title":{"rendered":"plakat 15"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"945\" class=\"elementor elementor-945\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8fd0c1a e-flex e-con-boxed e-con e-parent\" data-id=\"8fd0c1a\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-a491ef7 e-con-full e-flex e-con e-child\" data-id=\"a491ef7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-25c1e59 elementor-widget elementor-widget-image\" data-id=\"25c1e59\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-scaled.jpeg\" class=\"attachment-full size-full wp-image-1910\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-scaled.jpeg 2560w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-300x200.jpeg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-1024x683.jpeg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-768x512.jpeg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-1536x1024.jpeg 1536w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-2048x1366.jpeg 2048w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-18x12.jpeg 18w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ede708d elementor-widget elementor-widget-text-editor\" data-id=\"ede708d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2 data-section-id=\"nzwfu3\" data-start=\"1082\" data-end=\"1134\">Tradicionalni turski dam: K\u0131rkp\u0131nar dame<\/h2><h3 data-section-id=\"6mc36t\" data-start=\"1136\" data-end=\"1186\">Anatolijska igra sa \u0161irim regionalnim \u017eivotom<\/h3><p data-start=\"1187\" data-end=\"1671\">Turska dama, poznata kao <em data-start=\"1214\" data-end=\"1220\">Dama<\/em>, je jedna od prepoznatljivih strate\u0161kih igara turske i anatolske kulture, a istovremeno pripada \u0161iroj mediteranskoj i bliskoisto\u010dnoj porodici tradicija dame. Za razliku od dijagonalne dame, turska dama se igra pravolinijskim kretanjem: figure se kre\u0107u naprijed i bo\u010dno, stvaraju\u0107i direktan, takti\u010dan i \u010desto agresivan stil igre. Kada figura stigne do posljednjeg reda, ona postaje <em data-start=\"1621\" data-end=\"1627\">Dama<\/em>, sti\u010du\u0107i dugometnu mo\u0107 na svim poljima.<\/p><h3 data-section-id=\"11njufm\" data-start=\"1673\" data-end=\"1729\">Od kafe-ku\u0107ne kulture do \u0161ampionske arene<\/h3><p data-start=\"1730\" data-end=\"2161\">Ova fotografija prikazuje damu i kao takmi\u010darski mentalni sport i kao \u017eivi dru\u0161tveni ritual. U Mustafakemalpa\u0161i je Me\u0111unarodno prvenstvo u turskoj dami postalo poznato kao <em data-start=\"1903\" data-end=\"1924\">Kraljica se \u0161ezdeset puta savija<\/em>\u2014simboli\u010dno mjesto susreta za majstore, gledaoce i entuzijaste iz Turske i inostranstva. Oko table se nastavlja stara kultura komentara, strpljenja, humora i dubokog prora\u010duna, sada prenesena u formalno prvenstveno okru\u017eenje.<\/p><h3 data-section-id=\"1ckl56x\" data-start=\"2163\" data-end=\"2213\">\u0160kola strpljenja, predvi\u0111anja i po\u0161tovanja<\/h3><p data-start=\"2214\" data-end=\"2585\" data-is-last-node=\"\" data-is-only-node=\"\">U turskoj dami majstorstvo se mjeri ne samo pobjedom, nego i sposobno\u0161\u0107u da se vidi nekoliko poteza unaprijed, pro\u010dita skrivene prijetnje i pretvori jednostavnu liniju figura u dugoro\u010dni plan. Scena do\u010darava zajedni\u010dki duh igre: igra\u010di i gledaoci se okupljaju blizu, posmatraju, smije\u0161e se, ra\u010dunaju i \u010duvaju strate\u0161ko naslije\u0111e koje se obnavlja sa svakim potezom.<br \/><br \/><\/p><h2>Keny: Kavka\u0161ke dame i osetska tradicija<\/h2><p>Keny, tako\u0111er poznata kao Kavka\u0161ka dame, je regionalna igra dama koja se igra na Kavkazu i u obli\u017enjim podru\u010djima Turske. Ime <em>Kenija<\/em> potje\u010de iz osetske upotrebe, odra\u017eavaju\u0107i sna\u017enu povezanost igre s Osetijom, dok se srodna imena i tradicije pravila tako\u0111er pojavljuju me\u0111u susjednim zajednicama. Poput turske dame, Keny se igra na 8\u00d78 polju s figurama raspore\u0111enim u dva po\u010detna reda, a njeno kretanje se zasniva na ravnim, ortogonalnim linijama umjesto na dijagonalnoj logici zapadnog damanja.<\/p><p>Ono \u0161to Keny \u010dini posebno prepoznatljivim je njegov dinami\u010dan sistem kretanja. Figura mo\u017ee hvatati unazad, a u nekim pravilima mo\u017ee \u010dak presko\u010diti prijateljsku figuru bez hvatanja, koriste\u0107i skok da br\u017ee pre\u0111e po tabli. To Kenyu daje izvanredan ritam: dijelom borba, dijelom utrka, dijelom prostorna zagonetka. Kao ro\u0111ak turskog i armenskog dama, pokazuje kako dru\u0161tvene igre putuju kroz pograni\u010dna podru\u010dja, prilago\u0111avaju\u0107i se lokalnim kulturama, a istovremeno \u010duvaju\u0107i zajedni\u010dki strate\u0161ki jezik.<\/p><h2>Armenski dam: Tama i ma\u0161ta dvostruke mre\u017ee<\/h2><p>Armenski dam, tako\u0111er poznat kao <em>Tama<\/em>, je varijanta porodice turske dame koja se igra u Armeniji i u armenskim zajednicama. Zadr\u017eava takti\u010dki karakter ravne linije turske dame, ali pro\u0161iruje sistem kretanja dozvoljavaju\u0107i dijagonalno kretanje. Obi\u010dni figure mogu se kretati naprijed, bo\u010dno ili dijagonalno naprijed, dok promovirani kraljevi mogu se kretati po cijeloj plo\u010di u svih osam smjerova, sli\u010dno kao kraljica u \u0161ahu.<\/p><p>Uprkos ovoj pro\u0161irenoj pokretljivosti, hvat ostaje ukorijenjen u ortogonalnoj tradiciji: figure hvataju pravo-linijskim skokovima, a ne dijagonalnim. Ovo stvara fascinantnu hibridnu igru, kombinuju\u0107i direktnu snagu turske dame sa \u0161irim geometrijskim oblicima dijagonalnog kretanja. Armenski dam tako predstavlja most izme\u0111u dva svijeta dama: \u201cravne\u201d porodice dama i dijagonalne porodice, poznatije u evropskom damu. To je kompaktan primjer kako zajedni\u010dka forma igre mo\u017ee postati kulturni potpis kroz male, ali mo\u0107ne promjene pravila.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Traditional Turkish Draughts: The K\u0131rkp\u0131nar of Dama An Anatolian Game with a Wider Regional Life Turkish Draughts, known as Dama, is one of the distinctive strategy games of Turkish and Anatolian culture, while also belonging to a broader Mediterranean and Middle Eastern family of draughts traditions. Unlike diagonal checkers, Turkish Dama is played with straight-line [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-945","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/comments?post=945"}],"version-history":[{"count":31,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/945\/revisions"}],"predecessor-version":[{"id":1917,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/945\/revisions\/1917"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/bs\/wp-json\/wp\/v2\/media?parent=945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}