{"id":1045,"date":"2026-02-22T18:00:08","date_gmt":"2026-02-22T18:00:08","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1045"},"modified":"2026-02-23T06:54:44","modified_gmt":"2026-02-23T06:54:44","slug":"poster-27","status":"publish","type":"page","link":"https:\/\/shatranj.art\/et\/exhibit\/poster-27\/","title":{"rendered":"plakat 27"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1045\" class=\"elementor elementor-1045\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cb9e80e e-flex e-con-boxed e-con e-parent\" data-id=\"cb9e80e\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-c0024d0 e-con-full e-flex e-con e-child\" data-id=\"c0024d0\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-99752bb elementor-widget elementor-widget-image\" data-id=\"99752bb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"720\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica.jpg\" class=\"attachment-large size-large wp-image-1047\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica.jpg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica-300x270.jpg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica-768x692.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d61bb1f elementor-widget elementor-widget-text-editor\" data-id=\"d61bb1f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><b>Balkani suurt\u00fckid<\/b><\/h3><p><b>L\u00f5una-slaavi \u201cTop\u201d (Cannon) disain<\/b><\/p><p>L\u00f5una-slaavi traditsioonis nihkub varese ikonograafia arhitektuurist suurt\u00fckiv\u00e4e juurde. Kuna t\u00fckk kannab nime Top (mis t\u00e4hendab \u201csuurt\u00fckki\u201d), loobuvad paljud piirkondlikud kujundused, nagu n\u00e4iteks kuulus Subotica komplekt, traditsioonilistest lahingutornide lahingurajatistest. Selle asemel on t\u00fckk silindrilise v\u00f5i koonilise kujuga, millel on kumer, tassilaadne tipp, mis meenutab suurt\u00fcki toru. See areng peegeldab Balkani riikide unikaalseid keelelisi ja kultuurilisi kihte, kus t\u00fcrgi, slaavi ja austro-ungari m\u00f5judest tulenevad sageli kaksiknimetused, n\u00e4iteks Top ja Kula (torn). See kultuuriline ristumiskoht r\u00f5hutab, kuidas male on sillaks erinevate ajalooliste ajastute ja \u00fchiskondade vahel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d9490d4 e-con-full e-flex e-con e-child\" data-id=\"d9490d4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-53c002b elementor-widget elementor-widget-image\" data-id=\"53c002b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"921\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-889x1024.jpeg\" class=\"attachment-large size-large wp-image-1048\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-889x1024.jpeg 889w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-261x300.jpeg 261w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-768x884.jpeg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur.jpeg 1042w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7b2ef7f elementor-widget elementor-widget-text-editor\" data-id=\"7b2ef7f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Nishapur Rook (Rukh)<\/b> <span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>See Nishapurist p\u00e4rit kivit\u00fckk on iidne Rukh, mida algselt tunti Rukhina. Kuigi kaasaegse piiskopi l\u00f5henenud \u00fclemist osa seostatakse sageli ekslikult iidsete elevandit\u00fckkide kihvadega, oli see tegelikult traditsiooniline Rukh, millel oli see silmatorkav l\u00f5he kahe k\u00f5rge serva vahel. See V-kujuline siluett oli vankri abstraktne kujutis, mis r\u00f5hutas geomeetrilist kujunduskeelt, mis iseloomustas varaseid P\u00e4rsia ja Vahemere malekomplekte.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-03fdcd4 e-con-full e-flex e-con e-child\" data-id=\"03fdcd4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-05ec882 elementor-widget elementor-widget-image\" data-id=\"05ec882\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1024x1024.png\" class=\"attachment-large size-large wp-image-1049\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1024x1024.png 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-300x300.png 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-150x150.png 150w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-768x768.png 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1536x1536.png 1536w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-2048x2048.png 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cb65d08 elementor-widget elementor-widget-text-editor\" data-id=\"cb65d08\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>\u015eAH\u00ce komplekteeritud tornit\u00fckk: Shahrukh<\/b><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>Shahrukh, mis on nime saanud v\u00e4ejuhi ja malemeistri Timuri poja j\u00e4rgi, t\u00e4hendab \u201dvalitseja, meister ja toredate malendite valitseja\u201d. Shahrukhist sai m\u00e4rkimisv\u00e4\u00e4rne teaduse, kultuuri ja kunsti patroon. M\u00f5iste \u201cRukh\u201d t\u00e4hendab s\u00f5javankrit ja arenes edasi \u201croca\u201d, mis t\u00e4hendab hispaania ja itaalia keeles torni, mis m\u00f5jutas malet\u00fckkide kujundust. seda t\u00fckki on ajalooliselt nimetatud s\u00f5javankriks, torniks, laevaks ja suurt\u00fckiks. \u015eahruhi t\u00fckk sisaldab s\u00f5javankri veerevaid rattaid, torni telliseid, suurt\u00fcki toru ja laeva ankrut.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>The Cannon of the Balkans South Slavic &#8220;Top&#8221; (Cannon) Design In the South Slavic tradition, the iconography of the rook shifts from architecture to artillery. Because the piece is named Top (meaning &#8220;Cannon&#8221;), many regional designs such as the famous Subotica set abandon the traditional battlements of a castle tower. Instead, the piece takes on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1045","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1045\/revisions"}],"predecessor-version":[{"id":1292,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1045\/revisions\/1292"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/media?parent=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}