{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/et\/exhibit\/poster-32\/","title":{"rendered":"plakat 32"},"content":{"rendered":"
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Sillad \u00fcle piiride: Balkani ja sotsialistlik p\u00e4rand (1950-1991)<\/b> \u265f\ufe0f<\/span><\/p>

See kaasaskantavate malekomplektide kollektsioon esindab Balkani, slaavi, n\u00f5ukogude ja t\u00fcrgi kultuuride ainulaadset ristumiskohta. Need kujukesed ei kajasta mitte \u00fchte poliitilist blokki, vaid illustreerivad mitmekesist intellektuaalset maastikku, kus erinevad kujundused \u00f5itsesid alates Jugoslaavia liitlasvabariikidest kuni N\u00f5ukogude Liidu s\u00fcdameni. Tamer Karatekinile, T\u00fcrgi 2000. aasta riiklikule malemeistrile ja FIDE meistrile, on need komplektid isiklikuks kaardiks tema arenguteest ja professionaalsetest verstapostidest.<\/p>

  • Bulgaaria magnetiline komplekt<\/b>: Balkani disain, kus Tamer \u00f5ppis m\u00e4ngu esimest korda oma isalt. Sellel on mittereligioosseid s\u00fcmboleid, mis on laiale piirkondlikule kasutamisele m\u00f5eldud komplektidele omane.<\/span><\/li>
  • N\u00f5ukogude plastikust komplekt kokkupandavas puidust kastis<\/b>: Klassikaline, vastupidav konstruktsioon, mis on olnud Tameeri ja tema vanaisa vaheliste lugematute m\u00e4ngude lahinguv\u00e4ljaks nende suvemajas Silivri l\u00e4hedal Istanbulis.<\/span><\/li>
  • N\u00f5ukogude Bakuu disain magnetiline reisikomplekt<\/b>: N\u00f5ukogudeaegne \u00f5ppevahend, mida Tamer kasutas meistrite m\u00e4ngude anal\u00fc\u00fcsimiseks ja oma strateegiate t\u00e4iustamiseks.<\/span><\/li>
  • Subotica disainikomplekt (Makedoonia, Jugoslaavia)<\/b>: Ikooniline Jugoslaavia komplekt Tamer \u00f5ppis malet oma perekonna kodus Istanbuli vanalinnas. Tamer harjutas palju m\u00e4nge oma vanaisa M\u00fccahit Kor\u00e7a'ga, \u00f5ppides m\u00e4ngu keerukusi just nende m\u00e4ngut\u00fckkide kaudu. Kor\u00e7a oli eluaegne f\u00fc\u00fcsika- ja keele\u00f5petaja ning teedrajav teadlane, kes oli \u00fche esimese Jugoslaavia-T\u00fcrgi ja Albaania-T\u00fcrgi s\u00f5naraamatu autor Balkanil.<\/span><\/li>
  • Varna 1962 \/ \u201cGambit\u201d komplekt<\/b>: Algselt inspireeritud 1962. aasta Varna ol\u00fcmpiam\u00e4ngudest, mille t\u00f5id T\u00fcrgisse Bulgaaria t\u00fcrgi immigrandid, oli see konkreetne stiil 2000. aasta T\u00fcrgi malemeistriv\u00f5istluste ametlik komplekt, kus Tamer krooniti riiklikuks meistriks. Sama disainikomplekti v\u00f5ib n\u00e4ha Tameri fototaustal fotona, millel ta m\u00e4ngib malet palju nooremana. K\u00f5ige t\u00e4helepanuv\u00e4\u00e4rsem on see, et just seda kujundust kasutati 1997. aastal Tameri n\u00e4item\u00e4ngude kohtumistel, mis l\u00f5ppesid viikidega legendide Garri Kasparovi ja Anatoli Karpoviga.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}