{"id":1355,"date":"2026-02-23T08:47:26","date_gmt":"2026-02-23T08:47:26","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1355"},"modified":"2026-02-24T06:17:29","modified_gmt":"2026-02-24T06:17:29","slug":"poster-33","status":"publish","type":"page","link":"https:\/\/shatranj.art\/et\/exhibit\/poster-33\/","title":{"rendered":"plakat 33"},"content":{"rendered":"
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Mustafa Kemal Atat\u00fcrki malekomplekt<\/strong>
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Selles n\u00e4ituse osas on esile toodud T\u00fcrgi ajaloo ainulaadne osa: T\u00fcrgi Vabariigi rajaja Mustafa Kemal Atat\u00fcrki isiklik malekomplekt. Galeriifotol on H. Serta\u00e7 Dalk\u0131ran koos Atat\u00fcrki adopteeritud t\u00fctre \u00dclk\u00fc Adatepe'iga, kes uhkelt komplekti esitleb.<\/span>
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<\/span>See malekomplekt on ainulaadne ja ainulaadse disainiga pukspuust nikerdatud. See on inspireeritud Gallipoli lahingust ja selle valmistas Tahsin \u00c7ukurluo\u011flu, Atat\u00fcrki metsafarmi jaamakorraldaja, Z\u00fcbeyde Han\u0131mi adopteeritud t\u00fctre Vasfiye Han\u0131mi abikaasa ja Atat\u00fcrki adopteeritud t\u00fctre \u00dclk\u00fc Adatepe isa. See kingiti Atat\u00fcrkile. Tornid on kujutatud kahuritena, mis on koosk\u00f5las selle teose terminoloogiaga kui kahur, \u201ctop\u201d, paljudes l\u00f5unaslaavi ja balkani keeltes.\u00a0<\/span><\/p>

P\u00e4rast Atat\u00fcrki surma s\u00e4ilitas see perekond komplekti. Tahsin \u00c7ukurluo\u011flu surma j\u00e4rel anti komplekt m\u00e4lestuseks tema l\u00e4hedasele s\u00f5brale Selahattin A\u015fkanile, kes oli hinnatud tegelane malekogukonnas, nende kodus Cevizlis, Istanbulis.<\/span><\/p>

Hiljem kingiti see komplekt H. Serta\u00e7 Dalk\u0131ranile, kes asutas meie riigi esimese malekooli ja -muuseumi tunnustuseks oma silmapaistvate teenete eest T\u00fcrgi malele. On teada, et Atat\u00fcrk m\u00e4ngis just selle komplektiga \u0130smet \u0130n\u00f6n\u00fc, Selahattin Adil Pasha ja teiste v\u00f5itluskaaslaste vastu.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Live hiiglaslik maleshow Fenerbah\u00e7e staadionil (1997)<\/b><\/h3>

P\u00f5hineb staadionikollaa\u017eil.<\/b><\/p>

See muljetavaldav visuaal kujutab 1997. aastal T\u00fcrgi \u00fche tuntuma spordiklubi Fenerbah\u00e7e staadionil toimunud suurt \u201cLive Chess\u201d \u00fcritust.<\/span><\/p>

Sellel \u00fcritusel, kus jalgpalliv\u00e4ljak muudeti hiiglaslikuks malelaudaks, \u00e4ratasid spetsiaalselt kost\u00fcmeeritud esinejad staadionipubliku ees strateegilise m\u00e4ngu ellu, tegutsedes malet\u00fckkidena. Visuaalne osa \u00fchendas sujuvalt male intellektuaalse s\u00fcgavuse f\u00fc\u00fcsilise visuaalse peo ja spordikultuuriga. Atat\u00fcrki foto on n\u00e4ha staadionil oleval lipul.<\/span><\/p>

Arhiivim\u00e4rkus:<\/b> Nagu on m\u00e4rgitud originaalfotol, on see eriline t\u00fckk maleajalugu eksponeeritud FIDE rahvusvahelise maletamiskohtuniku ja -kirjutaja isiklikust arhiivist ja kollektsioonist, <\/span>H. Serta\u00e7 Dalk\u0131ran<\/b>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The chess set of Mustafa Kemal Atat\u00fcrk This section of the exhibit highlights a unique piece of Turkish history: the personal chess set of Mustafa Kemal Atat\u00fcrk, the founder of the Republic of Turkey. The gallery photo shows H. Serta\u00e7 Dalk\u0131ran alongside Atat\u00fcrk’s adopted daughter, \u00dclk\u00fc Adatepe, proudly presenting the set. This chess set was […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1355","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/comments?post=1355"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1355\/revisions"}],"predecessor-version":[{"id":1457,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/1355\/revisions\/1457"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/et\/wp-json\/wp\/v2\/media?parent=1355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}