{"id":1032,"date":"2026-02-22T17:38:33","date_gmt":"2026-02-22T17:38:33","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1032"},"modified":"2026-02-24T09:08:36","modified_gmt":"2026-02-24T09:08:36","slug":"poster-26","status":"publish","type":"page","link":"https:\/\/shatranj.art\/eu\/exhibit\/poster-26\/","title":{"rendered":"26. kartela"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1032\" class=\"elementor elementor-1032\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7573e53 e-flex e-con-boxed e-con e-parent\" data-id=\"7573e53\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-bc8e8e5 e-con-full e-flex e-con e-child\" data-id=\"bc8e8e5\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8e1f086 elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"8e1f086\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-683x1024.jpg\" class=\"attachment-large size-large wp-image-1035\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-683x1024.jpg 683w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-200x300.jpg 200w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-768x1152.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26.jpg 970w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e5968dd elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"e5968dd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>\u015eAH\u00ce <\/b><b>Abul-Abbas: Elefantearen bidaia hiru kontinentetan zehar<\/b><\/p><p>\u00a0<\/p><p>Figurak bere izena hartzen du kondairazko elefante zuri Abul-Abbas-etik, IX. mendean Abbasida kalifa Harun al-Rashidek Inperadore Santu Erromar Charlemagnei oparitu ziona. Bidaia historiko honek xakea Indiatik eta Ekialde Ertainetik Europara migratzea sinbolizatzen du, historiako lehen kultura-truke handietako bat markatuz. Xake modernoan mugimendu diagonalarik mugagabeena bezala ezagutzen den piezaren eboluzioa islatuz, diseinu honek Ekialdearen eta Mendebaldearen arteko sintesi etengabea eskaintzen du, ekialdeko ikonografia antzinakoa mendebaldeko ondare estrategikoarekin bat eginez. Behin diagonalki bi lauki salto egitera mugatuta zegoen pieza, \u201cElefantea\u201d hemen berrasmatu da bere erro historikoak omenez eta aldi berean taulako bere egungo rola onartuz.<\/p><p>\u00a0<\/p><p>Xakearen historian zehar pieza hau elefante, krokodilo, tortuga, gamelu, estandard-eramaile, mezulari, ofizial, lanzadun, korrikalari, ehiztari, arkulari, bufoi, diagonalki mugitzen dena eta obispo izenez ezagutu da. Xake modernoan bere diseinua normalean obispoaren mitra itxurakoa izaten da.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0eee556 elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"0eee556\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"707\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-707x1024.jpg\" class=\"attachment-large size-large wp-image-1036\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-707x1024.jpg 707w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-207x300.jpg 207w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-768x1112.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1.jpg 990w\" sizes=\"(max-width: 707px) 100vw, 707px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8d4ae5d e-con-full e-flex e-con e-child\" data-id=\"8d4ae5d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-68b6ede elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"68b6ede\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"739\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-739x1024.jpg\" class=\"attachment-large size-large wp-image-1037\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-739x1024.jpg 739w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-216x300.jpg 216w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-768x1065.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2.jpg 976w\" sizes=\"(max-width: 739px) 100vw, 739px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6ee51c elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"f6ee51c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Karolus Handiaren Elefantea: Erdi Aroko Ondare Majestuosa<\/b><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400;\">11. mendera atzera doana eta Italiako Hegoaldetik edo Espainiatik datorrela uste den bilduma ospetsu honek marfil-eskulangintzaren gailurra ordezkatzen du. \u201cKarlomagno Xake-piezak\u201d ospetsuen zati bat izanik, elefante-figura honek nabarmentzen du bere xehetasun handiko zizelkadura, garaiko aristokraten janzkera eta elementu sinbolikoak islatzen dituena. Xakeak mundu islamiarratik Europako gorteetara migratzean jasandako aldaketa estetikoa dokumentatuz, pieza honek frogatzen du jokoa ez zela soilik estrategia-tresna bat, baizik eta diplomaziako eta kultura-boterearen sinbolo indartsu bat ere.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-40a994a elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"40a994a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1010\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-811x1024.jpg\" class=\"attachment-large size-large wp-image-1038\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-811x1024.jpg 811w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-238x300.jpg 238w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-768x970.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0f85a0b e-con-full e-flex e-con e-child\" data-id=\"0f85a0b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-0dc5372 e-con-full e-flex e-con e-child\" data-id=\"0dc5372\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3afacdc elementor-widget elementor-widget-image\" data-id=\"3afacdc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"641\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-1024x820.jpg\" class=\"attachment-large size-large wp-image-1039\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-1024x820.jpg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-300x240.jpg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-768x615.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4.jpg 1307w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-aab0574 elementor-widget elementor-widget-text-editor\" data-id=\"aab0574\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>1950eko Dubrovnik eta Staunton gotzainak: Forma eta sinbolismoa<\/b><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400;\">Ikus-entzunezko honek kontrastatzen du nola bi diseinu-filosofia desberdin islatzen diren gotzain-piezetan (ezkerretik lehenengoa eta hirugarrena Dubrovnik multzokoak dira). 1950eko Dubrovnikeko gotzainak estetika sekular eta modernoagoa eskaintzen du, bere silueta dotore eta xehetasun finengatik definitua, erlijio-ikurrik gabe. Kontrastean, Stauntoneko gotzainak kristau tradizionaleko formak jarraitzen ditu, mitra nabarmena duena, erlijio-ikurra, egitura gogorrago eta sendoago baten barruan. Dubrovnikeko diseinu dinamiko eta inklusiboaren eta Stauntoneko muga tradizionalen arteko bereizketa erakusten du nola xake-piezek kultura-identitatearen adierazle gisa funtzionatzen duten.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b8ec708 e-con-full e-flex e-con e-child\" data-id=\"b8ec708\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3d9231a elementor-widget elementor-widget-image\" data-id=\"3d9231a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-696x1024.jpg\" class=\"attachment-large size-large wp-image-1040\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-696x1024.jpg 696w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-204x300.jpg 204w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-768x1130.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-1044x1536.jpg 1044w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5.jpg 1113w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-556ae15 elementor-widget elementor-widget-text-editor\" data-id=\"556ae15\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Dominic Snow Apezpikua: Gaur egungo estrategia-forma bat<\/b><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400;\">Artista Dominic Snow-ren ikuspegi sortzailea islatuz, pieza honek bizitza moderno eta eskultoriko bat ematen die xake tradizionaleko piezei. Bere forma fluidoek eta kolore-trantsizio harrigarriak gainditzen dituzte gotzainaren ohiko mugak, jokoaren elementu klasikoak berreraikiz adierazpen artistikoaren bidez. Pieza honek erakusten du xakea ez dela soilik adimen-borroka bat, baizik eta geruza bisual eta intelektual sakonak dituen esperientzia estetiko bat.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f39a3b4 e-con-full e-flex e-con e-child\" data-id=\"f39a3b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8a9ba6b elementor-widget elementor-widget-image\" data-id=\"8a9ba6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"520\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-1024x665.jpg\" class=\"attachment-large size-large wp-image-1041\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-1024x665.jpg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-300x195.jpg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-768x499.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6.jpg 1491w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ae04c33 elementor-widget elementor-widget-text-editor\" data-id=\"ae04c33\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Timuridar Aroko Xake Elefantea<\/b> <span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>Eskuz landutako harri-pieza honek irudikapen errealismotik islamiar abstrakziora egindako trantsizio historikoa irudikatzen du. Bi adar dituen itxura bereizgarria elefantearen adarren sinbolozko irudikapena da, Ekialde Ertainean eta Mediterraneoan zehar zabaldu zen diseinua. Ingeleseek geroago \u201cBishop\u201d izena hartu zuten, espainolek jatorrizko arabierazko erroa Alfil (Elefantea) gisa gorde zuten, eta frantseseek terminoa fonetikoki Le Fou bihurtu zuten. Lan honek jatorrizko elefante-personaiaren ondare iraunkorraren eta jokoaren espiritu unibertsalaren lekukotza izaten jarraitzen du.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-909cf0f elementor-widget elementor-widget-image\" data-id=\"909cf0f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"116\" height=\"90\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/nishapur-elephant-piece.jpg\" class=\"attachment-large size-large wp-image-1570\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/nishapur-elephant-piece.jpg 116w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/nishapur-elephant-piece-15x12.jpg 15w\" sizes=\"(max-width: 116px) 100vw, 116px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-36cfba7 elementor-widget elementor-widget-text-editor\" data-id=\"36cfba7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Nishapur-eko elefante-pieza, IX. mendea<br \/><br \/><\/b>Antzeko itxurako elefanteak Espainian erabili ziren eta XIII. mendean Espainian idatzitako Libro del Ajedrez lanean xake-ikono gisa ageri dira.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u015eAH\u00ce Abul-Abbas: The Elephant\u2019s Journey Across Three Continents \u00a0 This figure takes its name from the legendary white elephant, Abul-Abbas, gifted by the Abbasid Caliph Harun al-Rashid to the Holy Roman Emperor Charlemagne in the 9th century. This historical voyage symbolizes the migration of chess from India and the Middle East to Europe, marking one [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1032","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/pages\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":22,"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/pages\/1032\/revisions"}],"predecessor-version":[{"id":1576,"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/pages\/1032\/revisions\/1576"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/eu\/wp-json\/wp\/v2\/media?parent=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}