{"id":1032,"date":"2026-02-22T17:38:33","date_gmt":"2026-02-22T17:38:33","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1032"},"modified":"2026-02-24T09:08:36","modified_gmt":"2026-02-24T09:08:36","slug":"poster-26","status":"publish","type":"page","link":"https:\/\/shatranj.art\/fi\/exhibit\/poster-26\/","title":{"rendered":"juliste 26"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1032\" class=\"elementor elementor-1032\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7573e53 e-flex e-con-boxed e-con e-parent\" data-id=\"7573e53\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-bc8e8e5 e-con-full e-flex e-con e-child\" data-id=\"bc8e8e5\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8e1f086 elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"8e1f086\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-683x1024.jpg\" class=\"attachment-large size-large wp-image-1035\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-683x1024.jpg 683w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-200x300.jpg 200w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-768x1152.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26.jpg 970w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e5968dd elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"e5968dd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>\u015eAH\u00ce <\/b><b>Abul-Abbas: Ababul Abulab: Elefantin matka kolmen mantereen halki: Elefantin matka kolmen mantereen halki<\/b><\/p><p>\u00a0<\/p><p>T\u00e4m\u00e4 hahmo on saanut nimens\u00e4 legendaarisesta valkoisesta norsusta, Abul-Abbasista, jonka abbasidikalifi Harun al-Rashid lahjoitti pyh\u00e4lle roomalaiselle keisarille Kaarle Suurelle 900-luvulla. T\u00e4m\u00e4 historiallinen matka symboloi shakin siirtymist\u00e4 Intiasta ja L\u00e4hi-id\u00e4st\u00e4 Eurooppaan, mik\u00e4 on yksi historian varhaisimmista suurista kulttuurivaihdoista. T\u00e4m\u00e4 muotoilu, joka ilment\u00e4\u00e4 nykyaikaisessa shakissa rajoittamattomana diagonaalisena liikuttajana tunnetun nappulan kehityst\u00e4, tarjoaa saumattoman synteesin id\u00e4st\u00e4 ja l\u00e4nnest\u00e4 ja yhdist\u00e4\u00e4 muinaisen it\u00e4isen ikonografian ja l\u00e4nsimaisen strategisen perinn\u00f6n. Elefantti\u201c, joka oli aikoinaan nappula, joka saattoi hyp\u00e4t\u00e4 vain kaksi ruutua diagonaalisesti, on kuvattu t\u00e4ss\u00e4 uudelleen kunnioittaen sen historiallisia juuria ja omaksuen samalla sen modernin roolin pelilaudalla.<\/p><p>\u00a0<\/p><p>Shakkihistorian aikana t\u00e4t\u00e4 nappulaa on kutsuttu norsuksi, krokotiiliksi, kilpikonnaksi, kameliksi, lipunkantajaksi, kuriiriksi, upseeriksi, peitseksi, juoksijaksi, mets\u00e4st\u00e4j\u00e4ksi, jousimieheksi, narriksi, diagonaaliliikkujaksi ja piispaksi. Nykyaikaisessa shakissa sen muotoilu on yleens\u00e4 piispan hiiren muotoinen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0eee556 elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"0eee556\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"707\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-707x1024.jpg\" class=\"attachment-large size-large wp-image-1036\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-707x1024.jpg 707w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-207x300.jpg 207w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1-768x1112.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-1.jpg 990w\" sizes=\"(max-width: 707px) 100vw, 707px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8d4ae5d e-con-full e-flex e-con e-child\" data-id=\"8d4ae5d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-68b6ede elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"68b6ede\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"739\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-739x1024.jpg\" class=\"attachment-large size-large wp-image-1037\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-739x1024.jpg 739w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-216x300.jpg 216w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2-768x1065.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-2.jpg 976w\" sizes=\"(max-width: 739px) 100vw, 739px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6ee51c elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"f6ee51c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Kaarle Suuren norsu: Majesteettinen keskiaikainen perint\u00f6<\/b><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400;\">T\u00e4m\u00e4 kuuluisa kokoelma on per\u00e4isin 1100-luvulta, ja sen uskotaan olevan per\u00e4isin Etel\u00e4-Italiasta tai Espanjasta, ja se edustaa norsunluun k\u00e4sity\u00f6taidon huippua. T\u00e4m\u00e4 kuuluisaan \u201cKaarle Suuren shakkimiehiin\u201d kuuluva norsuhahmo erottuu edukseen monimutkaisilla kaiverruksillaan, jotka heijastavat aikakauden aristokraattista pukeutumista ja symbolisia elementtej\u00e4. T\u00e4m\u00e4 esine dokumentoi shakin esteettisen muodonmuutoksen sen siirtyess\u00e4 islamilaisesta maailmasta eurooppalaisiin hoveihin ja todistaa, ett\u00e4 peli ei ollut vain strateginen v\u00e4line vaan my\u00f6s voimakas diplomaattisen ja kulttuurisen vallan symboli.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-40a994a elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"40a994a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1010\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-811x1024.jpg\" class=\"attachment-large size-large wp-image-1038\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-811x1024.jpg 811w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-238x300.jpg 238w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3-768x970.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-3.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0f85a0b e-con-full e-flex e-con e-child\" data-id=\"0f85a0b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-0dc5372 e-con-full e-flex e-con e-child\" data-id=\"0dc5372\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3afacdc elementor-widget elementor-widget-image\" data-id=\"3afacdc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"641\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-1024x820.jpg\" class=\"attachment-large size-large wp-image-1039\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-1024x820.jpg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-300x240.jpg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4-768x615.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-4.jpg 1307w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-aab0574 elementor-widget elementor-widget-text-editor\" data-id=\"aab0574\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>1950 Dubrovnikin ja Stauntonin piispat: Muoto ja symboliikka<\/b><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400;\">T\u00e4ss\u00e4 kuvassa erotellaan, miten kaksi erilaista suunnittelufilosofiaa heijastuu piispan nappuloissa (1. ja 3. nappula vasemmalta kuuluvat Dubrovnik-sarjaan). Vuoden 1950 Dubrovnikin piispa tarjoaa maallisemman ja nykyaikaisemman estetiikan, jota m\u00e4\u00e4rittelev\u00e4t sen tyylik\u00e4s siluetti ja hienot yksityiskohdat ilman uskonnollisia symboleja. Stauntonin piispa sen sijaan noudattaa perinteisi\u00e4 kristillisi\u00e4 muotoja, ja siin\u00e4 on n\u00e4kyv\u00e4sti leikattu uskonnollinen symboli j\u00e4ykemm\u00e4n ja tukevamman rakenteen sis\u00e4ll\u00e4. Ero Dubrovnikin dynaamisen, osallistavan muotoilun ja Stauntonin perinteisten rajojen v\u00e4lill\u00e4 osoittaa, miten shakkinappulat toimivat kulttuuri-identiteetin edustajina.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b8ec708 e-con-full e-flex e-con e-child\" data-id=\"b8ec708\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3d9231a elementor-widget elementor-widget-image\" data-id=\"3d9231a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"1024\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-696x1024.jpg\" class=\"attachment-large size-large wp-image-1040\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-696x1024.jpg 696w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-204x300.jpg 204w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-768x1130.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5-1044x1536.jpg 1044w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-5.jpg 1113w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-556ae15 elementor-widget elementor-widget-text-editor\" data-id=\"556ae15\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Dominic Snow Bishop: Snow Snow: Nykyaikainen strateginen muoto<\/b><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400;\">Taiteilija Dominic Snow'n luovaa n\u00e4kemyst\u00e4 heijastava teos her\u00e4tt\u00e4\u00e4 perinteiset shakkihahmot moderniin, veistokselliseen el\u00e4m\u00e4\u00e4n. Sen sujuva muoto ja poikkeukselliset v\u00e4risiirtym\u00e4t ylitt\u00e4v\u00e4t piispan perinteiset rajat ja m\u00e4\u00e4rittelev\u00e4t pelin klassiset elementit uudelleen taiteellisen ilmaisun kautta. T\u00e4m\u00e4 hahmo on osoitus siit\u00e4, ett\u00e4 shakki ei ole pelkk\u00e4 \u00e4lykkyysosam\u00e4\u00e4r\u00e4n taistelu, vaan esteettinen kokemus, jolla on syv\u00e4llisi\u00e4 visuaalisia ja \u00e4lyllisi\u00e4 kerroksia.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f39a3b4 e-con-full e-flex e-con e-child\" data-id=\"f39a3b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8a9ba6b elementor-widget elementor-widget-image\" data-id=\"8a9ba6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"520\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-1024x665.jpg\" class=\"attachment-large size-large wp-image-1041\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-1024x665.jpg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-300x195.jpg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6-768x499.jpg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/26-6.jpg 1491w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ae04c33 elementor-widget elementor-widget-text-editor\" data-id=\"ae04c33\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Timuridien aikakauden shakkielefantti<\/b> <span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>T\u00e4m\u00e4 k\u00e4sin veistetty kiviteos kuvaa historiallista siirtym\u00e4\u00e4 figuratiivisesta realismista islamilaiseen abstraktioon. Erottuva \u201ckaksisarvinen\u201d muoto on norsun sy\u00f6ksyhampaiden symbolinen esitys, joka levisi L\u00e4hi-id\u00e4ss\u00e4 ja V\u00e4limeren alueella. Englantilaiset ottivat my\u00f6hemmin k\u00e4ytt\u00f6\u00f6n nimen \u201cBishop\u201d, mutta espanjalaiset s\u00e4ilyttiv\u00e4t alkuper\u00e4isen arabialaisen juuren nimell\u00e4 Alfil (Elefantti), ja ranskalaiset kehittiv\u00e4t termin foneettisesti muotoon Le Fou. T\u00e4m\u00e4 teos on edelleen osoitus alkuper\u00e4isen norsuhahmon kest\u00e4v\u00e4st\u00e4 perinn\u00f6st\u00e4 ja pelin universaalista hengest\u00e4.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-909cf0f elementor-widget elementor-widget-image\" data-id=\"909cf0f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"116\" height=\"90\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/nishapur-elephant-piece.jpg\" class=\"attachment-large size-large wp-image-1570\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/nishapur-elephant-piece.jpg 116w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/nishapur-elephant-piece-15x12.jpg 15w\" sizes=\"(max-width: 116px) 100vw, 116px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-36cfba7 elementor-widget elementor-widget-text-editor\" data-id=\"36cfba7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Nishapurista per\u00e4isin oleva norsun pala, 9. vuosisata.<br \/><br \/><\/b>Espanjassa k\u00e4ytettiin samankaltaisen muotoisia norsuja, ja ne esiintyv\u00e4t shakkikuvakkeina 1200-luvun Espanjassa kirjoitetussa Libro del Acedrez -kirjassa.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u015eAH\u00ce Abul-Abbas: The Elephant\u2019s Journey Across Three Continents \u00a0 This figure takes its name from the legendary white elephant, Abul-Abbas, gifted by the Abbasid Caliph Harun al-Rashid to the Holy Roman Emperor Charlemagne in the 9th century. This historical voyage symbolizes the migration of chess from India and the Middle East to Europe, marking one [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1032","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":22,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1032\/revisions"}],"predecessor-version":[{"id":1576,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1032\/revisions\/1576"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/media?parent=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}