{"id":1045,"date":"2026-02-22T18:00:08","date_gmt":"2026-02-22T18:00:08","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1045"},"modified":"2026-02-23T06:54:44","modified_gmt":"2026-02-23T06:54:44","slug":"poster-27","status":"publish","type":"page","link":"https:\/\/shatranj.art\/fi\/exhibit\/poster-27\/","title":{"rendered":"juliste 27"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1045\" class=\"elementor elementor-1045\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cb9e80e e-flex e-con-boxed e-con e-parent\" data-id=\"cb9e80e\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-c0024d0 e-con-full e-flex e-con e-child\" data-id=\"c0024d0\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-99752bb elementor-widget elementor-widget-image\" data-id=\"99752bb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"720\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica.jpg\" class=\"attachment-large size-large wp-image-1047\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica.jpg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica-300x270.jpg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica-768x692.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d61bb1f elementor-widget elementor-widget-text-editor\" data-id=\"d61bb1f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><b>Balkanin tykki<\/b><\/h3><p><b>Etel\u00e4slaavilainen \u201cTop\u201d (tykki) Design<\/b><\/p><p>Etel\u00e4slaavilaisessa perinteess\u00e4 tornin ikonografia siirtyy arkkitehtuurista tykist\u00f6\u00f6n. Koska kappaleen nimi on Top (joka tarkoittaa \u201ctykki\u00e4\u201d), monissa alueellisissa malleissa, kuten kuuluisassa Subotica-sarjassa, luovutaan perinteisest\u00e4 linnan tornin taistelutornista. Sen sijaan kappaleen muoto on sylinterim\u00e4inen tai kartiomainen, ja sen kovera, kuppimainen yl\u00e4osa muistuttaa tykin suuta. T\u00e4m\u00e4 kehitys heijastaa Balkanin ainutlaatuisia kielellisi\u00e4 ja kulttuurisia kerroksia, sill\u00e4 turkkilaiset, slaavilaiset ja it\u00e4valtalais-unkarilaiset vaikutteet antavat kappaleille usein kaksoisnimi\u00e4, kuten Top ja Kula (torni). T\u00e4m\u00e4 kulttuurinen risteym\u00e4 korostaa sit\u00e4, miten shakki toimii siltana eri historiallisten aikakausien ja yhteiskuntien v\u00e4lill\u00e4.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d9490d4 e-con-full e-flex e-con e-child\" data-id=\"d9490d4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-53c002b elementor-widget elementor-widget-image\" data-id=\"53c002b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"921\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-889x1024.jpeg\" class=\"attachment-large size-large wp-image-1048\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-889x1024.jpeg 889w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-261x300.jpeg 261w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-768x884.jpeg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur.jpeg 1042w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7b2ef7f elementor-widget elementor-widget-text-editor\" data-id=\"7b2ef7f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Nishapurin torni (Rukh)<\/b> <span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>T\u00e4m\u00e4 Nishapurista per\u00e4isin oleva kiviesine on muinainen torni, joka tunnettiin alun perin nimell\u00e4 Rukh. Nykyaikaisen piispan halkaistu yl\u00e4osa liitet\u00e4\u00e4n usein virheellisesti muinaisten norsukappaleiden sy\u00f6ksyhampaisiin, mutta itse asiassa perinteisess\u00e4 tornissa oli t\u00e4m\u00e4 n\u00e4kyv\u00e4 rako kahden korkean reunan v\u00e4liss\u00e4. T\u00e4m\u00e4 V:n muotoinen siluetti oli vaunujen abstrakti esitys, joka korosti geometrista muotokielt\u00e4, joka m\u00e4\u00e4ritteli varhaiset persialaiset ja V\u00e4limeren alueen shakkisarjat.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-03fdcd4 e-con-full e-flex e-con e-child\" data-id=\"03fdcd4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-05ec882 elementor-widget elementor-widget-image\" data-id=\"05ec882\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1024x1024.png\" class=\"attachment-large size-large wp-image-1049\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1024x1024.png 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-300x300.png 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-150x150.png 150w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-768x768.png 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1536x1536.png 1536w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-2048x2048.png 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cb65d08 elementor-widget elementor-widget-text-editor\" data-id=\"cb65d08\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>\u015eAH\u00ce asetettu tornin pala: Shahrukh<\/b><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>Shahrukh, joka on saanut nimens\u00e4 komentaja ja shakkimestari Timurin pojan mukaan, tarkoittaa \u201dtornien hallitsijaa, mestaria ja mahtavaa\u201d. Shahrukhista tuli merkitt\u00e4v\u00e4 tieteen, kulttuurin ja taiteen suojelija. Termi \u201cRukh\u201d tarkoittaa sotavaunua, ja siit\u00e4 kehittyi espanjaksi ja italiaksi \u201croca\u201d, joka tarkoittaa tornia, mik\u00e4 on vaikuttanut shakkinappuloiden muotoiluun.T\u00e4t\u00e4 nappulaa on historiallisesti kutsuttu sotavaunuksi, torniksi, laivaksi ja tykiksi. \u015eahruh-kappaleessa on sotavaunun py\u00f6r\u00e4t, tornin tiilet, tykin piippu ja laivan ankkuri.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>The Cannon of the Balkans South Slavic &#8220;Top&#8221; (Cannon) Design In the South Slavic tradition, the iconography of the rook shifts from architecture to artillery. Because the piece is named Top (meaning &#8220;Cannon&#8221;), many regional designs such as the famous Subotica set abandon the traditional battlements of a castle tower. Instead, the piece takes on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1045","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1045\/revisions"}],"predecessor-version":[{"id":1292,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1045\/revisions\/1292"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/media?parent=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}