{"id":1355,"date":"2026-02-23T08:47:26","date_gmt":"2026-02-23T08:47:26","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1355"},"modified":"2026-02-24T06:17:29","modified_gmt":"2026-02-24T06:17:29","slug":"poster-33","status":"publish","type":"page","link":"https:\/\/shatranj.art\/fi\/exhibit\/poster-33\/","title":{"rendered":"juliste 33"},"content":{"rendered":"
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Mustafa Kemal Atat\u00fcrkin shakkisetti<\/strong>
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N\u00e4yttelyn t\u00e4ss\u00e4 osassa esitell\u00e4\u00e4n ainutlaatuinen pala Turkin historiaa: Turkin tasavallan perustajan Mustafa Kemal Atat\u00fcrkin henkil\u00f6kohtainen shakkisetti. Gallerian kuvassa H. Serta\u00e7 Dalk\u0131ran Atat\u00fcrkin adoptiotytt\u00e4ren \u00dclk\u00fc Adatepen vieress\u00e4 esittelee ylpe\u00e4n\u00e4 sarjaa.<\/span>
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<\/span>T\u00e4m\u00e4 shakkisetti on veistetty ainutlaatuisella tavalla puksipuusta. Se on saanut inspiraationsa Gallipolin taistelusta, ja sen on valmistanut Tahsin \u00c7ukurluo\u011flu, Atat\u00fcrkin mets\u00e4tilan asemap\u00e4\u00e4llikk\u00f6, Z\u00fcbeyde Han\u0131min adoptiotytt\u00e4ren Vasfiye Han\u0131min aviomies ja Atat\u00fcrkin adoptiotytt\u00e4ren \u00dclk\u00fc Adatepen is\u00e4. Se annettiin lahjaksi Atat\u00fcrkille. Tornit on kuvattu tykkein\u00e4, mik\u00e4 vastaa t\u00e4m\u00e4n teoksen terminologiaa, sill\u00e4 monissa etel\u00e4slaavilaisissa ja balkanilaisissa kieliss\u00e4 k\u00e4ytet\u00e4\u00e4n termi\u00e4 tykki, \u201chuippu\u201d.\u00a0<\/span><\/p>

Atat\u00fcrkin kuoleman j\u00e4lkeen t\u00e4m\u00e4 perhe s\u00e4ilytti sarjan. Tahsin \u00c7ukurluo\u011flun kuoltua sarja annettiin muistoksi h\u00e4nen l\u00e4heiselle yst\u00e4v\u00e4lleen Selahattin A\u015fkanille, joka oli arvostettu henkil\u00f6 shakkiyhteis\u00f6ss\u00e4, heid\u00e4n kotonaan Istanbulin Cevizliss\u00e4.<\/span><\/p>

My\u00f6hemmin t\u00e4m\u00e4 sarja lahjoitettiin H. Serta\u00e7 Dalk\u0131ranille, joka perusti maamme ensimm\u00e4isen shakkikoulun ja -museon tunnustuksena h\u00e4nen merkitt\u00e4vist\u00e4 ansioistaan Turkin shakin hyv\u00e4ksi. Tiedet\u00e4\u00e4n, ett\u00e4 Atat\u00fcrk pelasi t\u00e4ll\u00e4 sarjalla \u0130smet \u0130n\u00f6n\u00fc\u00e4, Selahattin Adil Pashaa ja muita taistelutovereita vastaan.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Live Giant Chess Show Fenerbah\u00e7e Stadiumilla (1997)<\/b><\/h3>

Perustuu stadionkollaasiin.<\/b><\/p>

T\u00e4m\u00e4 vaikuttava kuvamateriaali esittelee massiivisen \u201cLive Chess\u201d -tapahtuman, joka j\u00e4rjestettiin vuonna 1997 Fenerbah\u00e7en stadionilla, joka on yksi Turkin vakiintuneimmista urheiluseuroista.<\/span><\/p>

T\u00e4ss\u00e4 tapahtumassa jalkapallokentt\u00e4 muutettiin j\u00e4ttim\u00e4iseksi shakkilaudaksi, ja erityisesti puvutetut esiintyj\u00e4t her\u00e4ttiv\u00e4t strategisen pelin henkiin stadionyleis\u00f6n edess\u00e4 toimimalla shakkinappuloina. Visuaalinen ilme yhdisti saumattomasti shakin \u00e4lyllisen syvyyden fyysiseen visuaaliseen juhlaan ja urheilukulttuuriin. Atat\u00fcrkin valokuva on n\u00e4ht\u00e4viss\u00e4 stadionin lipussa.<\/span><\/p>

Arkistomerkint\u00e4:<\/b> Kuten alkuper\u00e4isess\u00e4 valokuvassa lukee, t\u00e4m\u00e4 erityinen pala shakkihistoriaa on per\u00e4isin FIDE:n kansainv\u00e4lisen shakkituomarin ja kirjailijan henkil\u00f6kohtaisesta arkistosta ja kokoelmasta, <\/span>H. Serta\u00e7 Dalk\u0131ran<\/b>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The chess set of Mustafa Kemal Atat\u00fcrk This section of the exhibit highlights a unique piece of Turkish history: the personal chess set of Mustafa Kemal Atat\u00fcrk, the founder of the Republic of Turkey. The gallery photo shows H. Serta\u00e7 Dalk\u0131ran alongside Atat\u00fcrk’s adopted daughter, \u00dclk\u00fc Adatepe, proudly presenting the set. This chess set was […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1355","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/comments?post=1355"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1355\/revisions"}],"predecessor-version":[{"id":1457,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/1355\/revisions\/1457"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/fi\/wp-json\/wp\/v2\/media?parent=1355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}