{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/ha\/exhibit\/poster-32\/","title":{"rendered":"Fosta 32"},"content":{"rendered":"
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Gadarori Tsakanin Iyakoki: Gado na Balkan da na Sosiyalisanci (1950\u20131991)<\/b> \u265f\ufe0f<\/span><\/p>

Wannan tarin kayan catur na \u0257auka yana wakiltar ha\u0257uwar al'adu na Balkan, Slavic, Soviet, da Turkiyya. Maimakon nuna wata \u0199ungiyar siyasa guda \u0257aya, wa\u0257annan sassan suna nuna fagen tunani mai bambance-bambance inda \u0199irare-\u0199irare na musamman suka bun\u0199asa daga yankunan da ba su bi wata \u0199ungiya ba na Yugoslavia har zuwa tsakiyar Tarayyar Soviet. Ga Tamer Karatekin, zakaran catur na \u0199asa na Turkiyya na shekarar 2000 kuma FIDE Master, wa\u0257annan tarin suna aiki a matsayin taswirarsa ta sirri ta tafiyar ci gabansa da manyan nasarorinsa na sana'a.<\/p>

  • Saitin Magnetic na Bulgaria<\/b>\u0198irar Balkan ce inda Tamer ya fara koyon wasan daga wurin mahaifinsa. Tana \u0257auke da alamomi marasa ala\u0199a da addini, wata alama gama gari ga saitunan da aka \u0199era don amfani a fa\u0257in yankin.<\/span><\/li>
  • Saitin Plastiki na Soviet a cikin akwatin katako mai lankwasawa<\/b>\u0198ira ta gargajiya mai \u0257orewa wadda ta kasance filin fafatawa ga wasanni marasa adadi tsakanin Tamer da kakansa a gidansu na bazara kusa da Silivri, Istanbul.<\/span><\/li>
  • Soviet Baku Design Saitin Tafiya Mai Maganadisu<\/b>: Wani kayan nazari na zamanin Soviet da Tamer ya yi amfani da shi don nazarin wasannin \u0199wararru da inganta dabaru nasa.<\/span><\/li>
  • Saitin Zane na Subotica (Masedoniya, Yugoslafiya)<\/b>: Fitaccen saitin Yugoslaviya da Tamer ya yi amfani da shi wajen nazarin catur a gidansa na iyali a Tsohuwar Birnin Istanbul. Tamer ya yi atisaye da yawa tare da kakansa, M\u00fccahit Kor\u00e7a, yana koyon sarkakiyar wasan ta wa\u0257annan sassan. Kor\u00e7a malami ne na dindindin a fannin kimiyyar jiki da harsuna, kuma fitaccen masani wanda ya rubuta \u0257aya daga cikin farkon \u0199amus \u0257in Yugoslaviya-Turkiyya da Albania-Turkiyya a yankin Balkan.<\/span><\/li>
  • Saitin Varna 1962 \/ \u201cGambit\u201d<\/b>Da farko an yi wahayi da shi ne daga Gasar Olimpiya ta Varna ta 1962, kuma 'yan \u0199asar Turkiyya da suka \u0199aura daga Bulugariya suka kawo shi Turkiyya. Wannan salo na musamman shine saitin hukuma na Gasar Catur ta Turkiyya ta 2000, inda aka nada Tamer a matsayin Zakaran \u0198asa. Za a iya ganin wannan tsarin a bango na hoton Tamer yayin da yake wasa catur tun yana \u0199arami. Abin mamaki, wannan shi ne ainihin \u0199irar da aka yi amfani da ita a wasannin baje kolin Tamer na 1997 wa\u0257anda suka \u0199are da sulhu da gwarazan Garry Kasparov da Anatoly Karpov.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/ha\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}