{"id":1068,"date":"2026-02-22T18:39:42","date_gmt":"2026-02-22T18:39:42","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1068"},"modified":"2026-02-24T09:00:42","modified_gmt":"2026-02-24T09:00:42","slug":"poster-29","status":"publish","type":"page","link":"https:\/\/shatranj.art\/hr\/exhibit\/poster-29\/","title":{"rendered":"plakat 29"},"content":{"rendered":"
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\u015eAH\u00ce postavlja kraljevsku figuru: G\u00fcl\u015fah<\/strong><\/p>

G\u00fcl\u015fah predstavlja mudrost marame, svetost i autoritet kupole te ru\u017eu kao simbol \u017eivota i ljepote, koju treba za\u0161tititi od mat-a. Kupola crpi inspiraciju iz ikoni\u010dnih struktura poput Aja Sofije, Panteona i MIT-a. Marama odra\u017eava intelektualnu ostav\u0161tinu ranih autora \u0161aha, kao \u0161to su As-Suli i Stamma, dok kruna podsje\u0107a na maslinove vijence s drevnih Olimpijskih igara. Povijesno gledano, ovaj je komad nazivan raja, \u0161ah, kralj ili zapovjednik. \u201cG\u00fcl\u201d na sredi\u0161njoazijskim jezicima zna\u010di ru\u017ea. \u201c\u015eah\u201d, izgovara se \u2018\u0160ah\u2019, naziv je za \u0161ah u mnogim jezicima. Iako je \"\u0161ah\" izvorno ozna\u010davao mu\u0161ku vladavinu, njegova metafori\u010dka ili moderna upotreba postala je rodno neutralna.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Opis i ba\u0161tina<\/strong><\/p>

G\u00fcl\u015fahov komad odlikuje prepoznatljiv dizajn pokrivala za glavu koji odaje po\u010dast intelektualnim divovima povijesti \u0161aha. Pokrivalo za glavu modelirano je prema tradicionalnim turbancima koje su nosile li\u010dnosti poput srednjovjekovnog majstora as-Sulija i Philippa Stamme, majstora i kraljevskog prevoditelja iz 18. stolje\u0107a. Ro\u0111en u Alepu i aktivan u glavnim intelektualnim sredi\u0161tima Londona i Pariza, Stamma je bio istinski multikulturalna figura \u010diji su rad kao tuma\u010da britanske dr\u017eave i njegovi pionirski sustavi notacije \u0161aha povezali isto\u010dne i zapadne tradicije. Ovaj dizajn ulijeva figuri osje\u0107aj duboke mudrosti i znanstvenog autoriteta.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ljubi\u010dice i maslinov vijenac Olimpa<\/strong><\/p>

Kruna komada \u015eAH\u00ce monarha sadr\u017ei latice ru\u017ee koje simboliziraju ljepotu i krhkost \u017eivota \u2014 dragocjenu stanju koje se mora \u017eestoko \u0161tititi, ba\u0161 kao \u0161to se kralj na \u0161ahovnici \u010duva kako bi se sprije\u010dio mat. Ovaj je dizajn dodatno nadahnut maslinovom krunom Olimpa, povezuju\u0107i povijesnu potragu za pobjedom s o\u010duvanjem nje\u017ene prirode \u017eivota.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Naslje\u0111e prosvjetiteljstva<\/strong>
Naslje\u0111e R\u00e9gencea u setu \u015eah\u00ee<\/strong><\/p>

\u00a0<\/p>

Francuski R\u00e9gence set simbolizira Prosvjetiteljstvo, razdoblje definirano razumom i te\u017enjom za znanjem. Na njemu su igrali povijesni divovi poput Benjamina Franklina, Napoleona Bonapartea i majstora Philidora u \u010duvenom Caf\u00e9 de la R\u00e9gence, a ovaj je set postao standard za intelektualno natjecanje. \u0160ahovski set \u015eah\u00ee namjerno \u010duva tu ba\u0161tinu. Crpe\u0107i inspiraciju iz cvjetnih motiva kralja iz razdoblja regencije za figuru G\u00fcl\u015fah, set \u015eah\u00ee spaja europsku eleganciju 18. stolje\u0107a s dubokim znanstvenim tradicijama Istoka, odaju\u0107i po\u010dast majstorima koji su definirali zlatno doba igre.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce set monarch\/king\/shah piece: G\u00fcl\u015fah G\u00fcl\u015fah represents the wisdom of the headwrap, the sanctity and authority of the dome, and rose as a symbol of life and beauty, which must be protected from checkmate. The dome draws inspiration from iconic structures like the Hagia Sophia, the Pantheon, and MIT. The headwrap reflects the intellectual legacy […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1068","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/1068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/comments?post=1068"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/1068\/revisions"}],"predecessor-version":[{"id":1561,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/1068\/revisions\/1561"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/media?parent=1068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}