{"id":945,"date":"2026-02-22T14:34:32","date_gmt":"2026-02-22T14:34:32","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=945"},"modified":"2026-06-23T23:31:03","modified_gmt":"2026-06-23T23:31:03","slug":"poster-15","status":"publish","type":"page","link":"https:\/\/shatranj.art\/hr\/exhibit\/poster-15\/","title":{"rendered":"plakat 15"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"945\" class=\"elementor elementor-945\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8fd0c1a e-flex e-con-boxed e-con e-parent\" data-id=\"8fd0c1a\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-a491ef7 e-con-full e-flex e-con e-child\" data-id=\"a491ef7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-25c1e59 elementor-widget elementor-widget-image\" data-id=\"25c1e59\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-scaled.jpeg\" class=\"attachment-full size-full wp-image-1910\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-scaled.jpeg 2560w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-300x200.jpeg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-1024x683.jpeg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-768x512.jpeg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-1536x1024.jpeg 1536w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-2048x1366.jpeg 2048w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/06\/mustafakemalpasa-turkdamasampiyonasi-18x12.jpeg 18w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ede708d elementor-widget elementor-widget-text-editor\" data-id=\"ede708d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2 data-section-id=\"nzwfu3\" data-start=\"1082\" data-end=\"1134\">Tradicionalni turski dame: K\u0131rkp\u0131nar dame<\/h2><h3 data-section-id=\"6mc36t\" data-start=\"1136\" data-end=\"1186\">Anatolijska igra sa \u0161irim regionalnim \u017eivotom<\/h3><p data-start=\"1187\" data-end=\"1671\">Turska dama, poznata kao <em data-start=\"1214\" data-end=\"1220\">Dame<\/em>, jedna je od prepoznatljivih strate\u0161kih igara turske i anatolske kulture, a istovremeno pripada \u0161iroj mediteranskoj i bliskoisto\u010dnoj obitelji tradicija dame. Za razliku od dijagonalne dame, turska dama se igra s ravnim kretanjem: figure se kre\u0107u naprijed i bo\u010dno, stvaraju\u0107i izravan, takti\u010dki i \u010desto agresivan stil igre. Kada figura dospije u zadnji red, ona postaje <em data-start=\"1621\" data-end=\"1627\">Dame<\/em>, stje\u010du\u0107i dugometnu mo\u0107 na svim poljima.<\/p><h3 data-section-id=\"11njufm\" data-start=\"1673\" data-end=\"1729\">Od kafi\u0107ke kulture do prvenstvene arene<\/h3><p data-start=\"1730\" data-end=\"2161\">Ova fotografija prikazuje dame i kao natjecateljski mentalni sport i kao \u017eivi dru\u0161tveni ritual. U Mustafakemalpa\u0161i je Me\u0111unarodno prvenstvo u turskim damama postalo poznato kao <em data-start=\"1903\" data-end=\"1924\">Kiprski turnir dama<\/em>\u2014simboli\u010dno mjesto susreta za majstore, gledatelje i entuzijaste iz Turske i inozemstva. Oko plo\u010de se nastavlja stara kultura komentiranja, strpljenja, humora i dubokog prora\u010dunavanja, sada prenesena u formalno prvenstveno okru\u017eenje.<\/p><h3 data-section-id=\"1ckl56x\" data-start=\"2163\" data-end=\"2213\">\u0160kola strpljenja, predvi\u0111anja i po\u0161tovanja<\/h3><p data-start=\"2214\" data-end=\"2585\" data-is-last-node=\"\" data-is-only-node=\"\">U turskoj dami majstorstvo se mjeri ne samo pobjedom, nego i sposobno\u0161\u0107u da se vidi nekoliko poteza unaprijed, pro\u010dita skrivene prijetnje i pretvori jednostavnu liniju figura u dugoro\u010dni plan. Scena do\u010darava zajedni\u010dki duh igre: igra\u010di i gledatelji okupljaju se blizu, promatraju, smije\u0161e se, ra\u010dunaju i \u010duvaju strate\u0161ku ba\u0161tinu koja se obnavlja sa svakim potezom.<br \/><br \/><\/p><h2>Keny: Kavka\u0161ke dame i osetska tradicija<\/h2><p>Keny, tako\u0111er poznata kao Kavka\u0161ka dame, regionalna je igra domine koja se igra na Kavkazu i u obli\u017enjim podru\u010djima Turske. Ime <em>Keni<\/em> potje\u010de iz osetske upotrebe, odra\u017eavaju\u0107i sna\u017enu povezanost igre s Osetijom, dok se srodna imena i tradicije pravila tako\u0111er pojavljuju me\u0111u susjednim zajednicama. Poput turske dame, Keny se igra na 8\u00d78 polju s figurama raspore\u0111enim u dva po\u010detna reda, a njegovo kretanje temelji se na ravnim, ortogonalnim linijama, a ne na dijagonalnoj logici zapadnog damanja.<\/p><p>Ono \u0161to Keny \u010dini osobitim jest njegov dinami\u010dni sustav kretanja. Figura mo\u017ee hvatati unatrag, a u nekim pravilima mo\u017ee \u010dak presko\u010diti prijateljsku figuru bez hvatanja, koriste\u0107i skok za br\u017ee kretanje po plo\u010di. To Kenyu daje izvanredan ritam: dijelom borba, dijelom utrka, dijelom prostorna zagonetka. Kao ro\u0111ak turskog i armenskog dama, pokazuje kako dru\u0161tvene igre putuju kroz me\u0111upograni\u010dna podru\u010dja, prilago\u0111avaju\u0107i se lokalnim kulturama, a istovremeno \u010duvaju\u0107i zajedni\u010dki strate\u0161ki jezik.<\/p><h2>Armenski dam: Tama i ma\u0161ta dvostruke mre\u017ee<\/h2><p>Armenski dam, tako\u0111er poznat kao <em>Tama<\/em>, je varijanta turske obitelji dame koja se igra u Armeniji i u armenskim zajednicama. Zadr\u017eava takti\u010dki karakter ravnog kretanja turske dame, ali pro\u0161iruje sustav kretanja dopu\u0161taju\u0107i dijagonalno kretanje. Obi\u010dni komadi mogu se kretati naprijed, bo\u010dno ili dijagonalno naprijed, dok promovirani kraljevi mogu se kretati po cijeloj plo\u010di u svih osam smjerova, sli\u010dno kao kraljica u \u0161ahu.<\/p><p>Unato\u010d ovoj pro\u0161irenoj pokretljivosti, hvat ostaje ukorijenjen u ortogonalnoj tradiciji: figure hvataju skokovima u ravnoj liniji, a ne dijagonalno. To stvara fascinantnu hibridnu igru koja kombinira izravnu snagu turske dame s pro\u0161irenijom geometrijom dijagonalnog kretanja. Armenski dam je stoga most izme\u0111u dva svijeta dama: \u201cravne\u201d obitelji dame i dijagonalne obitelji, poznatije u europskom damu. To je kompaktan primjer kako zajedni\u010dka igra mo\u017ee postati kulturni potpis kroz male, ali mo\u0107ne promjene pravila.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Traditional Turkish Draughts: The K\u0131rkp\u0131nar of Dama An Anatolian Game with a Wider Regional Life Turkish Draughts, known as Dama, is one of the distinctive strategy games of Turkish and Anatolian culture, while also belonging to a broader Mediterranean and Middle Eastern family of draughts traditions. Unlike diagonal checkers, Turkish Dama is played with straight-line [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-945","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/comments?post=945"}],"version-history":[{"count":31,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/945\/revisions"}],"predecessor-version":[{"id":1917,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/945\/revisions\/1917"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/hr\/wp-json\/wp\/v2\/media?parent=945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}