{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/hu\/exhibit\/poster-32\/","title":{"rendered":"32-es poszter"},"content":{"rendered":"
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Hat\u00e1rokon \u00e1t\u00edvel\u0151 hidak: A balk\u00e1ni \u00e9s szocialista \u00f6r\u00f6ks\u00e9g (1950-1991)<\/b> \u265f\ufe0f<\/span><\/p>

A hordozhat\u00f3 sakk-k\u00e9szletek gy\u0171jtem\u00e9nye a balk\u00e1ni, szl\u00e1v, szovjet \u00e9s t\u00f6r\u00f6k kult\u00far\u00e1k egyed\u00fcl\u00e1ll\u00f3 metsz\u00e9spontj\u00e1t k\u00e9pviseli. Ezek a darabok nem egyetlen politikai t\u00f6mb\u00f6t t\u00fckr\u00f6znek, hanem ink\u00e1bb egy soksz\u00edn\u0171 szellemi t\u00e1jat mutatnak be, ahol a Jugoszl\u00e1via el nem k\u00f6telezett r\u00e9gi\u00f3it\u00f3l a Szovjetuni\u00f3 sz\u00edv\u00e9ig k\u00fcl\u00f6nb\u00f6z\u0151 mint\u00e1k vir\u00e1goztak. Tamer Karatekin, T\u00f6r\u00f6korsz\u00e1g 2000-es nemzeti sakkbajnoka \u00e9s FIDE-mester sz\u00e1m\u00e1ra ezek a k\u00e9szletek fejl\u0151d\u00e9si \u00fatj\u00e1nak \u00e9s szakmai m\u00e9rf\u00f6ldk\u00f6veinek szem\u00e9lyes t\u00e9rk\u00e9pek\u00e9nt szolg\u00e1lnak.<\/p>

  • A bolg\u00e1r m\u00e1gneses k\u00e9szlet<\/b>: Egy balk\u00e1ni diz\u00e1jn, ahol Tamer el\u0151sz\u00f6r az apj\u00e1t\u00f3l tanulta meg a j\u00e1t\u00e9kot. Nem vall\u00e1si szimb\u00f3lumokat tartalmaz, ami a sz\u00e9les region\u00e1lis haszn\u00e1latra sz\u00e1nt k\u00e9szletek k\u00f6z\u00f6s jellemz\u0151je.<\/span><\/li>
  • A szovjet m\u0171anyag k\u00e9szlet \u00f6sszecsukhat\u00f3 fadobozban<\/b>: Klasszikus, tart\u00f3s kivitel, amely sz\u00e1mtalan j\u00e1t\u00e9k csatater\u00e9\u00fcl szolg\u00e1lt Tamer \u00e9s nagyapja k\u00f6z\u00f6tt az isztambuli Silivri melletti nyaral\u00f3jukban.<\/span><\/li>
  • Szovjet Baku Design m\u00e1gneses utaz\u00e1si k\u00e9szlet<\/b>: A szovjet korszak tanulm\u00e1nyi eszk\u00f6ze, amelyet Tamer a mesterj\u00e1t\u00e9kok elemz\u00e9s\u00e9re \u00e9s saj\u00e1t strat\u00e9gi\u00e1inak finom\u00edt\u00e1s\u00e1ra haszn\u00e1lt.<\/span><\/li>
  • A Szabadkai Design Szett (Maced\u00f3nia, Jugoszl\u00e1via)<\/b>: Az ikonikus jugoszl\u00e1v Tamer az isztambuli \u00f3v\u00e1rosban l\u00e9v\u0151 csal\u00e1di h\u00e1z\u00e1ban tanult sakkozni. Tamer sok partit gyakorolt nagyapj\u00e1val, M\u00fccahit Kor\u00e7\u00e1val, \u00e9s \u00e9ppen ezeken a b\u00e1bukon kereszt\u00fcl tanulta meg a j\u00e1t\u00e9k fort\u00e9lyait. Kor\u00e7a eg\u00e9sz \u00e9let\u00e9ben fizika- \u00e9s nyelvoktat\u00f3, valamint \u00fatt\u00f6r\u0151 tud\u00f3s volt, aki az egyik els\u0151 jugoszl\u00e1v-t\u00f6r\u00f6k \u00e9s alb\u00e1n-t\u00f6r\u00f6k sz\u00f3t\u00e1r szerz\u0151je volt a Balk\u00e1non.<\/span><\/li>
  • V\u00e1rna 1962 \/ \u201cGambit\u201d k\u00e9szlet<\/b>: Eredetileg az 1962-es v\u00e1rnai olimpia ihlette, \u00e9s a Bulg\u00e1ri\u00e1b\u00f3l bev\u00e1ndorolt t\u00f6r\u00f6k\u00f6k hozt\u00e1k T\u00f6r\u00f6korsz\u00e1gba, ez a k\u00fcl\u00f6nleges st\u00edlus volt a 2000-es t\u00f6r\u00f6k sakkbajnoks\u00e1g hivatalos k\u00e9szlete, ahol Tamer lett a nemzeti bajnok. Ugyanez a diz\u00e1jnk\u00e9szlet l\u00e1that\u00f3 Tamer fot\u00f3h\u00e1tter\u00e9ben, mint egy fot\u00f3, amelyen sokkal fiatalabb kor\u00e1ban sakkozik. A legfigyelemrem\u00e9lt\u00f3bb, hogy pontosan ezt a diz\u00e1jnt haszn\u00e1lt\u00e1k Tamer 1997-es bemutat\u00f3 m\u00e9rk\u0151z\u00e9sein, amelyek a legend\u00e1k Garri Kaszparov \u00e9s Anatolij Karpov elleni d\u00f6ntetlennel v\u00e9gz\u0151dtek.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/hu\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}