{"id":1032,"date":"2026-02-22T17:38:33","date_gmt":"2026-02-22T17:38:33","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1032"},"modified":"2026-02-24T09:08:36","modified_gmt":"2026-02-24T09:08:36","slug":"poster-26","status":"publish","type":"page","link":"https:\/\/shatranj.art\/lt\/exhibit\/poster-26\/","title":{"rendered":"26 plakatas"},"content":{"rendered":"
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\u015eAH\u00ce <\/b>Abul-Abbas: Dramblio kelion\u0117 per tris \u017eemynus<\/b><\/p>

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\u0160ios fig\u016bros pavadinimas kil\u0119s i\u0161 legendinio baltojo dramblio Abul-Abbaso, kur\u012f Abasid\u0173 kalifas Harunas al Ra\u0161idas IX a. padovanojo \u0160ventosios Romos imperijos imperatoriui Karoliui Did\u017eiajam. \u0160i istorin\u0117 kelion\u0117 simbolizuoja \u0161achmat\u0173 migracij\u0105 i\u0161 Indijos ir Artim\u0173j\u0173 Ryt\u0173 \u012f Europ\u0105, \u017eymin\u010di\u0105 vien\u0105 pirm\u0173j\u0173 istorijoje svarbi\u0173 kult\u016brini\u0173 main\u0173. \u0160is dizainas, \u012fk\u016bnijantis fig\u016bros, \u0161iuolaikiniuose \u0161achmatuose \u017einomos kaip neriboto \u012fstri\u017eain\u0117s judintojo, evoliucij\u0105, yra vientisa Ryt\u0173 ir Vakar\u0173 sintez\u0117, jungianti senov\u0117s Ryt\u0173 ikonografij\u0105 ir Vakar\u0173 strategin\u012f paveld\u0105. Kadaise buvusi fig\u016br\u0117l\u0117, galinti \u0161okin\u0117ti tik per du \u012fstri\u017eain\u0117s laukelius, \u201cDramblys\u201d \u010dia perkurta taip, kad b\u016bt\u0173 pagerbtos jos istorin\u0117s \u0161aknys ir kartu suvoktas jos \u0161iuolaikinis vaidmuo lentoje.<\/p>

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Per vis\u0105 \u0161achmat\u0173 istorij\u0105 \u0161i fig\u016bra buvo vadinama drambliu, krokodilu, v\u0117\u017eliu, kupranugariu, v\u0117liavne\u0161iu, pasiuntiniu, karininku, ietimi, b\u0117giku, med\u017eiotoju, lankininku, juokdariu, \u012fstri\u017eain\u0117s judintoju ir vyskupu. \u0160iuolaikiniuose \u0161achmatuose jo dizainas paprastai yra vyskupo mitros formos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Karolio Did\u017eiojo dramblys: Didingas viduram\u017ei\u0173 palikimas<\/b><\/p>

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\u0160i garsioji kolekcija, kurios prad\u017eia siekia XI a. ir kuri, kaip manoma, kilusi i\u0161 Piet\u0173 Italijos arba Ispanijos, yra dramblio kaulo meistri\u0161kumo vir\u0161\u016bn\u0117. \u0160i dramblio fig\u016br\u0117l\u0117, priklausanti garsiosioms \u201cKarolio Did\u017eiojo \u0161achmat\u0173 fig\u016broms\u201d, i\u0161siskiria sud\u0117tingais rai\u017einiais, atspindin\u010diais aristokrati\u0161k\u0105 aprang\u0105 ir simbolinius to laikme\u010dio elementus. \u0160i fig\u016bra, fiksuojanti estetin\u0119 \u0161achmat\u0173 transformacij\u0105, kai jie i\u0161 islamo pasaulio persik\u0117l\u0117 \u012f Europos dvarus, \u012frodo, kad \u0161is \u017eaidimas buvo ne tik strategijos \u012frankis, bet ir stiprus diplomatin\u0117s ir kult\u016brin\u0117s galios simbolis.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1950 m. Dubrovniko ir Stauntono vyskupai: Forma ir simbolika<\/b><\/p>

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\u0160iame paveiksl\u0117lyje matyti, kaip dvi skirtingos dizaino filosofijos atsispindi vyskupo fig\u016brose (1-oji ir 3-ioji fig\u016bros i\u0161 kair\u0117s priklauso Dubrovniko rinkiniui). 1950 m. Dubrovniko vyskupas pasi\u017eymi pasaulieti\u0161kesne ir modernesne estetika, kuri\u0105 apib\u016bdina eleganti\u0161kas siluetas ir smulkios detal\u0117s be religini\u0173 simboli\u0173. Stauntono vyskupas, prie\u0161ingai, yra tradicini\u0173 krik\u0161\u010dioni\u0161k\u0173 form\u0173, su i\u0161ry\u0161kintu mitros pj\u016bviu - religiniu simboliu grie\u017etesn\u0117je ir tvirtesn\u0117je strukt\u016broje. Skirtumas tarp dinami\u0161ko, visa apiman\u010dio Dubrovniko dizaino ir Stauntono \u0161achmat\u0173 fig\u016br\u0173 tradicini\u0173 rib\u0173 parodo, kaip \u0161achmat\u0173 fig\u016bros reprezentuoja kult\u016brin\u0119 tapatyb\u0119.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dominykas Sniegas vyskupas: \u0160iuolaikin\u0117 strategin\u0117 forma<\/b><\/p>

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\u0160is k\u016brinys, atspindintis menininko Dominico Snow k\u016brybin\u0119 vizij\u0105, tradicin\u0117ms \u0161achmat\u0173 fig\u016broms \u012fkvepia \u0161iuolaiki\u0161k\u0105 skulpt\u016brin\u012f gyvenim\u0105. Jos sklandi forma ir nepaprasti spalv\u0173 per\u0117jimai per\u017eengia \u012fprastas vyskupo ribas, i\u0161 naujo apibr\u0117\u017edami klasikinius \u017eaidimo elementus per menin\u0119 i\u0161rai\u0161k\u0105. \u0160i fig\u016bra liudija, kad \u0161achmatai yra ne tik prot\u0173 m\u016b\u0161is, bet ir estetin\u0117 patirtis su giliais vizualiniais ir intelektualiniais sluoksniais.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Timurid\u0173 epochos \u0161achmat\u0173 dramblys<\/b>
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<\/span>\u0160is rankomis rai\u017eytas akmens k\u016brinys iliustruoja istorin\u012f per\u0117jim\u0105 nuo fig\u016brinio realizmo prie islami\u0161kos abstrakcijos. Ry\u0161ki \u201cdviej\u0173 rag\u0173\u201d forma simboli\u0161kai vaizduoja dramblio iltis, kurios paplito Artimuosiuose Rytuose ir Vidur\u017eemio j\u016bros regione. V\u0117liau anglai per\u0117m\u0117 pavadinim\u0105 \u201cBishop\u201d, ta\u010diau ispanai i\u0161saugojo originali\u0105 arabi\u0161k\u0105 \u0161akn\u012f Alfil (Dramblys), o pranc\u016bzai \u0161\u012f termin\u0105 foneti\u0161kai i\u0161pl\u0117t\u0117 \u012f Le Fou. \u0160is k\u016brinys liudija original\u0173 dramblio persona\u017eo palikim\u0105 ir universali\u0105 \u017eaidimo dvasi\u0105.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dramblio fig\u016bra i\u0161 Ni\u0161ap\u016bro, IX a.

<\/b>Pana\u0161ios formos drambliai buvo naudojami Ispanijoje ir kaip \u0161achmat\u0173 ikonos vaizduojami XIII a. Ispanijoje para\u0161ytoje \"Libro del Acedrez\".<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce Abul-Abbas: The Elephant\u2019s Journey Across Three Continents \u00a0 This figure takes its name from the legendary white elephant, Abul-Abbas, gifted by the Abbasid Caliph Harun al-Rashid to the Holy Roman Emperor Charlemagne in the 9th century. This historical voyage symbolizes the migration of chess from India and the Middle East to Europe, marking one […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1032","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":22,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/1032\/revisions"}],"predecessor-version":[{"id":1576,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/1032\/revisions\/1576"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/media?parent=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}