{"id":1068,"date":"2026-02-22T18:39:42","date_gmt":"2026-02-22T18:39:42","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1068"},"modified":"2026-02-24T09:00:42","modified_gmt":"2026-02-24T09:00:42","slug":"poster-29","status":"publish","type":"page","link":"https:\/\/shatranj.art\/lt\/exhibit\/poster-29\/","title":{"rendered":"29 plakatas"},"content":{"rendered":"
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\u015eAH\u00ce rinkinys monarchas\/\u017eiedas\/\u0161acho dalis: G\u00fcl\u015fah<\/strong><\/p>

G\u00fcl\u015fah atstovauja galvos apdangalo i\u0161mint\u012f, \u0161ventum\u0105 ir autoritet\u0105 kupolo, ir ro\u017e\u0117 kaip gyvenimo ir gro\u017eio simbolis, kuris turi b\u016bti apsaugotas nuo \u0161achmat\u0173. \u012ekv\u0117pimo kupolas semiasi i\u0161 toki\u0173 kultini\u0173 statini\u0173 kaip Hagia Sophia, Panteonas ir MIT. Galvos apdangalas atspindi intelektualin\u012f pirm\u0173j\u0173 \u0161achmat\u0173 autori\u0173, toki\u0173 kaip As-Suli ir Stamma, palikim\u0105, o vainikas primena senov\u0117s olimpini\u0173 \u017eaidyni\u0173 alyv\u0173 vainikus. Istori\u0161kai \u0161i fig\u016bra buvo vadinama rad\u017ea, \u0161achu, karaliumi arba vadu. \u201cG\u00fcl\u201d Vidurin\u0117s Azijos kalbose rei\u0161kia ro\u017e\u0119. \u201c\u015eah\u201d, tariamas kaip \u2018\u0161achas\u2019, daugelyje kalb\u0173 yra \u0161acho pavadinimas. Nors \u0161achas i\u0161 prad\u017ei\u0173 rei\u0161k\u0117 vyri\u0161kas taisykles, jo metaforin\u0117 ar \u0161iuolaikin\u0117 vartosena tapo neutrali lyties at\u017evilgiu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Apra\u0161ymas ir paveldas<\/strong><\/p>

\"G\u00fcl\u015fah\" fig\u016br\u0117l\u0117 pasi\u017eymi i\u0161skirtiniu galvos apdangalo dizainu, kuriuo pagerbiami intelektual\u016bs \u0161achmat\u0173 istorijos mil\u017einai. Galvos apdangalas sukurtas pagal tradicinius turbanus, kuriuos d\u0117v\u0117jo tokios asmenyb\u0117s kaip viduram\u017ei\u0173 meistras as-Suli ir XVIII a. meistras ir karali\u0161kasis vert\u0117jas Philippas Stamma. Gim\u0119s Alepe ir veik\u0119s svarbiausiuose Londono ir Pary\u017eiaus intelektualiniuose centruose, Stamma buvo i\u0161ties daugiakult\u016br\u0117 asmenyb\u0117, kurios vert\u0117jo darbas Did\u017eiosios Britanijos valstybei ir jo novatori\u0161kos \u0161achmat\u0173 u\u017era\u0161\u0173 sistemos sujung\u0117 Ryt\u0173 ir Vakar\u0173 tradicijas. \u0160is dizainas suteikia k\u016briniui gilios i\u0161minties ir mokslinio autoriteto jausm\u0105.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ro\u017ei\u0173 \u017eiedlapiai ir Olimpo alyvuogi\u0173 vainikas<\/strong><\/p>

\u015eAH\u00ce monarcho fig\u016br\u0117l\u0117s kar\u016bna su ro\u017ei\u0173 \u017eiedlapiais simbolizuoja gyvyb\u0117s gro\u017e\u012f ir trapum\u0105 - brangi\u0105 b\u016bsen\u0105, kuri\u0105 reikia \u012fnirtingai saugoti, kaip karalius saugomas \u0161achmat\u0173 lentoje, kad b\u016bt\u0173 i\u0161vengta \u0161achmat\u0173 partijos. \u0160\u012f dizain\u0105 dar labiau \u012fkv\u0117p\u0117 Olimpo alyv\u0173 kar\u016bna, jungianti istorin\u012f pergal\u0117s siek\u012f su trapios gyvyb\u0117s i\u0161saugojimu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ap\u0161vietos paveldas<\/strong>
R\u00e9gence palikimas \u015eah\u00ee rinkinyje<\/strong><\/p>

\u00a0<\/p>

Pranc\u016bz\u0173 rinkinys \"R\u00e9gence\" simbolizuoja Ap\u0161vietos epoch\u0105, kurioje vyravo protas ir \u017eini\u0173 siekimas. \u0160is rinkinys, kuriuo garsioje kavin\u0117je \"Caf\u00e9 de la R\u00e9gence\" \u017eaid\u0117 tokie istorijos mil\u017einai kaip Benjaminas Franklinas, Napoleonas Bonapartas ir meistras Filidoras, tapo intelektualini\u0173 var\u017eyb\u0173 standartu. \u015eah\u00ee \u0161achmat\u0173 rinkinys s\u0105moningai i\u0161saugo \u0161\u012f paveld\u0105. \u012ekv\u0117pimo semdamasis i\u0161 R\u00e9gence karaliaus augalini\u0173 motyv\u0173 G\u00fcl\u015fah fig\u016br\u0117l\u0117je, \u015eah\u00ee rinkinys sujungia XVIII a. Europos elegancij\u0105 su giliomis mokslin\u0117mis Ryt\u0173 tradicijomis ir pagerbia meistrus, kurie apibr\u0117\u017e\u0117 \u017eaidimo aukso am\u017ei\u0173.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce set monarch\/king\/shah piece: G\u00fcl\u015fah G\u00fcl\u015fah represents the wisdom of the headwrap, the sanctity and authority of the dome, and rose as a symbol of life and beauty, which must be protected from checkmate. The dome draws inspiration from iconic structures like the Hagia Sophia, the Pantheon, and MIT. The headwrap reflects the intellectual legacy […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1068","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/1068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/comments?post=1068"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/1068\/revisions"}],"predecessor-version":[{"id":1561,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/1068\/revisions\/1561"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/lt\/wp-json\/wp\/v2\/media?parent=1068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}