{"id":1021,"date":"2026-02-22T16:28:38","date_gmt":"2026-02-22T16:28:38","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1021"},"modified":"2026-02-23T05:16:08","modified_gmt":"2026-02-23T05:16:08","slug":"poster-25","status":"publish","type":"page","link":"https:\/\/shatranj.art\/lv\/exhibit\/poster-25\/","title":{"rendered":"plak\u0101ts 25"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u015eAH\u00ce Bucefalus: <\/strong>Strat\u0113\u0123ijas un kult\u016bras mantojums<\/strong><\/p>

\u0160\u012b fig\u016bra ir Filipa Stammas, tulkot\u0101ja no Alepo, kas slavens ar savu darbu Essai sur le jeu des echecs, kas tika public\u0113ts Par\u012bz\u0113 1737. gad\u0101, mantojums. Bru\u0146inieka dizains ar fran\u010du cirt\u0101m kr\u0113p\u0113s simboliz\u0113 Apgaism\u012bbas laikmeta racion\u0101l\u0101 dom\u0101\u0161anas veida un Austrumu seno strat\u0113\u0123isko dzi\u013cumu viengabalainu sint\u0113zi. Darb\u0101 ietvert\u0101s formas veido kult\u016bras tiltu, apvienojot \u201cStamma Mate\u201d taktisko \u0123enialit\u0101ti, ko Stamma atveda no Alepo uz Eiropu, ar Ma\u0137edonijas zirga Bucefala milit\u0101ro sp\u0113ku.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1950 Dubrovnik\u0101 un Staunton\u0101: <\/b>Identit\u0101te un tradicion\u0101l\u0101s robe\u017eas dizain\u0101<\/b><\/p>

\u00a0<\/p>

\u0160is vizu\u0101lais att\u0113ls ir pretstats div\u0101m at\u0161\u0137ir\u012bg\u0101m dizaina filozofij\u0101m \u0161aha pasaul\u0113. 1950. gada Dubrov\u0146ikas bru\u0146inieks ir raksturs, ko Bobijs Fi\u0161ers raksturojis k\u0101 \u201clab\u0101ko \u0161aha dizainu, k\u0101ds jebkad rad\u012bts\u201d, un tas izce\u013cas ar sav\u0101m asaj\u0101m un skulptur\u0101laj\u0101m l\u012bnij\u0101m. T\u0101 dizaina dinamisms atspogu\u013co \u0161aha strat\u0113\u0123isko garu, izmantojot unik\u0101lu m\u0101ksliniecisko valodu.<\/p>

\u00a0<\/p>

Turpret\u012b Stauntona dizains rad\u0101s 19. gadsimta vid\u016b, galvenok\u0101rt, lai vienk\u0101r\u0161otu masveida ra\u017eo\u0161anu un nodro\u0161in\u0101tu vienveid\u012bbu, balstoties uz tradicion\u0101laj\u0101m rietumu form\u0101m. T\u0101 k\u0101 Stauntona komplekt\u0101 ir iek\u013cauti t\u0101di reli\u0123iski simboli k\u0101 b\u012bskapa mitra un krusts, tam tr\u016bkst laic\u012bgas un visaptvero\u0161as identit\u0101tes; t\u0101 viet\u0101 tas paliek ierobe\u017eots konkr\u0113tas tradicion\u0101las strukt\u016bras robe\u017e\u0101s. At\u0161\u0137ir\u012bba starp \u0161iem diviem siluetiem izce\u013c at\u0161\u0137ir\u012bbu starp unik\u0101la \u0161aha t\u0113la mekl\u0113jumiem un standartiz\u0113tu, tradicion\u0101lu form\u0101tu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Lewis Knight: Zieme\u013cu viduslaiku mantojums<\/b><\/p>

\u0160\u012b fig\u016bra ir 12. gadsimta skandin\u0101vu amatniec\u012bbas meistardarbs un ir da\u013ca no pasaulslaven\u0101s L\u016bisa \u0161aha fig\u016bru kolekcijas, kas 1831. gad\u0101 atrasta Skotijas L\u016bisa sal\u0101. R\u016bp\u012bgi izgriezta no valzirga zilo\u0146kaula, \u0161\u012b fig\u016bra dokument\u0113 \u0161aha est\u0113tisko evol\u016bciju t\u0101 izplat\u012bbas gait\u0101 Eirop\u0101. Uz zirga att\u0113lotais karav\u012brs simboliz\u0113 dzi\u013co saikni starp sp\u0113li un viduslaiku sabiedr\u012bbas aristokr\u0101tiju un milit\u0101ro hierarhiju. \u0160is ikoniskais siluets joproj\u0101m ir neparasts laikmeta m\u0101ksliniecisk\u0101s meistar\u012bbas apliecin\u0101jums un sp\u0113les k\u0101 m\u0101kslas darba palieko\u0161ais statuss.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Bru\u0146inieka ce\u013cojums: \u0122eometriska intelekta m\u012bkla<\/b><\/p>

Bru\u0146inieka t\u016bre ir balst\u012bta uz principu, ka bru\u0146inieks katru \u0161aha laukumu uz \u0161aha d\u0113\u013ca apmekl\u0113 tie\u0161i vienu reizi. No Al-Adli 9. gadsimta Bagd\u0101d\u0113 l\u012bdz Leonhardam Euleram 18. gadsimta Apgaism\u012bbas Eirop\u0101 \u0161\u012b probl\u0113ma ir fascin\u0113jusi \u0123\u0113nijus k\u0101 ide\u0101la matem\u0101tikas un strat\u0113\u0123ijas harmonija. \u0160eit att\u0113lotais risin\u0101jums par\u0101da, k\u0101 bru\u0146inieka l\u0113cieni rada sare\u017e\u0123\u012btu un aizraujo\u0161u simetriju, atkl\u0101jot \u0161aha \u201c\u0123eometrisko dzeju\u201d un univers\u0101lo lo\u0123iku.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Le\u0123end\u0101rais Bucef\u0101ls:\u00a0 <\/b>Iekaro\u0161anas un lojalit\u0101tes simbols<\/b><\/p>

\u00a0<\/p>

Uz \u0161\u012bs moza\u012bkas att\u0113lots Bucefals - Ma\u0137edonijas zirgs un tuv\u0101kais Aleksandra Liel\u0101 sabiedrotais. Bucefals, kur\u0161 bija Aleksandram l\u012bdz\u0101s visu vi\u0146a karag\u0101jienu laik\u0101, nomira tagad\u0113j\u0101s Pakist\u0101nas teritorij\u0101, tie\u0161i taj\u0101 re\u0123ion\u0101, kur v\u0113sturiski aizs\u0101k\u0101s \u0161aha v\u0113sture. \u0160\u012b ikonisk\u0101 fig\u016bra ne tikai simboliz\u0113 vienu no v\u0113stur\u0113 notur\u012bg\u0101kaj\u0101m cilv\u0113ku un dz\u012bvnieku sait\u0113m, bet ar\u012b ir simbols kult\u016bras krustpunktam starp Austrumiem un Rietumiem, un t\u0101s ce\u013cojums sniedzas no Ma\u0137edonijas l\u012bdz Indus ielejai. \u0160is st\u0101sts, kur\u0101 milit\u0101rais meistar\u012bgums apvienojas ar nelok\u0101mu uztic\u012bbu, glab\u0101 atmi\u0146as par episku ce\u013cojumu, kas nosl\u0113dz\u0101s \u0161aha \u0161\u016bpul\u012b.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce Bucephalus: A Legacy of Strategy and Culture This figure carries the legacy of Philipp Stamma, the translator from Aleppo renowned for his work Essai sur le jeu des echecs, published in Paris in 1737. The design of the knight, featuring French curls in its mane, represents the seamless synthesis between the rational mindset of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1021","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":7,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/1021\/revisions"}],"predecessor-version":[{"id":1243,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/1021\/revisions\/1243"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/media?parent=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}