{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/lv\/exhibit\/poster-32\/","title":{"rendered":"plak\u0101ts 32"},"content":{"rendered":"
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Tilti p\u0101ri robe\u017e\u0101m: Balk\u0101nu un soci\u0101lisma mantojums (1950-1991)<\/b> \u265f\ufe0f<\/span><\/p>

\u0160\u012b portat\u012bvo \u0161aha komplektu kolekcija ir unik\u0101ls Balk\u0101nu, sl\u0101vu, padomju un turku kult\u016bru krustpunkts. \u0160\u012bs fig\u016bras dr\u012bz\u0101k atspogu\u013co nevis vienu politisko bloku, bet gan daudzveid\u012bgu intelektu\u0101lo ainavu, kur\u0101 uzplauka at\u0161\u0137ir\u012bgi dizaini no Dienvidsl\u0101vijas nepievieno\u0161an\u0101s re\u0123ioniem l\u012bdz pat Padomju Savien\u012bbas sirdij. Tameram Karatekinam, 2000. gada Turcijas nacion\u0101lajam \u0161aha \u010dempionam un FIDE meistaram, \u0161ie komplekti kalpo k\u0101 vi\u0146a person\u012bg\u0101 att\u012bst\u012bbas ce\u013ca un profesion\u0101lo pav\u0113rsienu karte.<\/p>

  • Bulg\u0101ru magn\u0113tiskais komplekts<\/b>: Balk\u0101nu dizains, kur Tamer pirmo reizi \u0161o sp\u0113li iem\u0101c\u012bj\u0101s no sava t\u0113va. Taj\u0101 ir nereli\u0123iski simboli, kas ir kop\u012bga iez\u012bme komplektiem, kas paredz\u0113ti pla\u0161ai re\u0123ion\u0101lai lieto\u0161anai.<\/span><\/li>
  • Padomju plastmasas komplekts salok\u0101m\u0101 koka kast\u0113<\/b>: Klasiska, iztur\u012bga konstrukcija, kas kalpoja k\u0101 kaujas lauks neskait\u0101m\u0101m Tameru un vi\u0146a vect\u0113va sp\u0113l\u0113m vi\u0146u vasaras m\u0101j\u0101 net\u0101lu no Silivri, Stambul\u0101.<\/span><\/li>
  • Padomju Baku dizaina magn\u0113tiskais ce\u013cojumu komplekts<\/b>: Padomju laikos Tamer izmantoja m\u0101c\u012bbu l\u012bdzekli, lai analiz\u0113tu meistaru sp\u0113les un pilnveidotu savas strat\u0113\u0123ijas.<\/span><\/li>
  • Suboticas dizaina komplekts (Ma\u0137edonija, Dienvidsl\u0101vija)<\/b>: Ikoniskais Dienvidsl\u0101vijas komplekts Tamer savulaik m\u0101c\u012bj\u0101s \u0161ahu sav\u0101 \u0123imenes m\u0101j\u0101 Stambulas vecpils\u0113t\u0101. Tameris kop\u0101 ar savu vect\u0113vu M\u00fccahit Kor\u00e7a izsp\u0113l\u0113ja daudzas partijas, apg\u016bstot \u0161aha sp\u0113les nianses, izmantojot tie\u0161i \u0161\u012bs fig\u016bras. M. Kor\u010da bija m\u016b\u017ea fizikas un valodu pasniedz\u0113js un pionieris zin\u0101tnieks, kur\u0161 bija vienas no pirmaj\u0101m jugosl\u0101vu-turku un alb\u0101\u0146u-turku v\u0101rdn\u012bc\u0101m Balk\u0101nu valst\u012bs autors.<\/span><\/li>
  • Varna 1962 \/ \u201cGambit\u201d komplekts<\/b>: \u0160o \u012bpa\u0161o stilu s\u0101kotn\u0113ji iedvesmoja 1962. gada Varnas olimpi\u0101de, un to uz Turciju atveda turku imigranti no Bulg\u0101rijas, un tas bija ofici\u0101lais komplekts 2000. gada Turcijas \u0161aha \u010dempion\u0101tam, kur\u0101 Tamer tika kron\u0113ts par valsts \u010dempionu. Tas pats dizaina komplekts ir redzams ar\u012b Tameru fotogr\u0101fiju fon\u0101 k\u0101 fotogr\u0101fija, kur\u0101 vi\u0146\u0161 sp\u0113l\u0113 \u0161ahu daudz jaun\u0101k\u0101 vecum\u0101. Visiev\u0113rojam\u0101kais ir tas, ka tie\u0161i \u0161is dizains tika izmantots Tamer 1997. gada izst\u0101\u017eu ma\u010dos, kas beidz\u0101s neiz\u0161\u0137irti ar le\u0123end\u0101m Gariju Kasparovu un Anatoliju Karpovu.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/lv\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}