{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/ro\/exhibit\/poster-32\/","title":{"rendered":"afi\u0219 32"},"content":{"rendered":"
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Pun\u021bi peste grani\u021be: Mo\u0219tenirea balcanic\u0103 \u0219i socialist\u0103 (1950-1991)<\/b> \u265f\ufe0f<\/span><\/p>

Aceast\u0103 colec\u021bie de seturi de \u0219ah portabile reprezint\u0103 o intersec\u021bie unic\u0103 a culturilor balcanic\u0103, slav\u0103, sovietic\u0103 \u0219i turc\u0103. Mai degrab\u0103 dec\u00e2t s\u0103 reflecte un singur bloc politic, aceste piese ilustreaz\u0103 un peisaj intelectual divers \u00een care au \u00eenflorit modele distincte din regiunile nealiniate ale Iugoslaviei p\u00e2n\u0103 \u00een inima Uniunii Sovietice. Pentru Tamer Karatekin, campionul na\u021bional de \u0219ah al Turciei din 2000 \u0219i maestru FIDE, aceste seturi servesc drept hart\u0103 personal\u0103 a parcursului s\u0103u de dezvoltare \u0219i a etapelor sale profesionale.<\/p>

  • Setul magnetic bulg\u0103resc<\/b>: Un desen balcanic \u00een care Tamer a \u00eenv\u0103\u021bat prima dat\u0103 jocul de la tat\u0103l s\u0103u. Acesta con\u021bine simboluri nereligioase, o caracteristic\u0103 comun\u0103 a seturilor destinate unei utiliz\u0103ri regionale largi.<\/span><\/li>
  • Setul de plastic sovietic \u00een cutie de lemn pliabil\u0103<\/b>: Un model clasic, durabil, care a servit drept c\u00e2mp de lupt\u0103 pentru nenum\u0103rate jocuri \u00eentre Tamer \u0219i bunicul s\u0103u la casa lor de var\u0103 de l\u00e2ng\u0103 Silivri, Istanbul.<\/span><\/li>
  • Set magnetic de c\u0103l\u0103torie cu design sovietic Baku<\/b>: Un instrument de studiu din era sovietic\u0103 pe care Tamer \u00eel folosea pentru a analiza jocurile maestrului \u0219i a-\u0219i perfec\u021biona propriile strategii.<\/span><\/li>
  • Setul de design Subotica (Macedonia, Iugoslavia)<\/b>: Tamer obi\u0219nuia s\u0103 studieze \u0219ahul \u00een casa familiei sale din ora\u0219ul vechi din Istanbul. Tamer a practicat multe partide cu bunicul s\u0103u, M\u00fccahit Kor\u00e7a, \u00eenv\u0103\u021b\u00e2nd complexitatea jocului chiar prin intermediul acestor piese. Kor\u00e7a a fost o via\u021b\u0103 \u00eentreag\u0103 profesor de fizic\u0103 \u0219i limbi str\u0103ine \u0219i un cercet\u0103tor de pionierat, autor al unuia dintre primele dic\u021bionare iugoslav-turc \u0219i albanez-turc din Balcani.<\/span><\/li>
  • Setul Varna 1962 \/ \u201cGambit\u201d<\/b>: Inspirat ini\u021bial de Olimpiada de la Varna din 1962 \u0219i adus \u00een Turcia de imigran\u021bii turci din Bulgaria, acest stil specific a fost setul oficial al Campionatului Turc de \u0218ah din 2000, unde Tamer a fost \u00eencoronat campion na\u021bional. Acela\u0219i set de design poate fi v\u0103zut \u00een fotografia de fundal a lui Tamer, ca o fotografie cu el juc\u00e2nd \u0219ah la o v\u00e2rst\u0103 mult mai fraged\u0103. Cel mai remarcabil este faptul c\u0103 a fost exact modelul folosit \u00een meciurile demonstrative ale lui Tamer din 1997, care s-au \u00eencheiat la egalitate cu legendele Garry Kasparov \u0219i Anatoly Karpov.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/ro\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}