{"id":1045,"date":"2026-02-22T18:00:08","date_gmt":"2026-02-22T18:00:08","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1045"},"modified":"2026-02-23T06:54:44","modified_gmt":"2026-02-23T06:54:44","slug":"poster-27","status":"publish","type":"page","link":"https:\/\/shatranj.art\/sk\/exhibit\/poster-27\/","title":{"rendered":"plag\u00e1t 27"},"content":{"rendered":"
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Balk\u00e1nske delo<\/b><\/h3>

Ju\u017enoslovansk\u00fd dizajn \u201cTop\u201d (Cannon)<\/b><\/p>

V ju\u017enoslovanskej trad\u00edcii sa ikonografia havrana pres\u00fava od architekt\u00fary k delostrelectvu. Preto\u017ee dielo nesie n\u00e1zov Top (\u010do znamen\u00e1 \u201cdelo\u201d), mnoh\u00e9 region\u00e1lne vzory, ako napr\u00edklad sl\u00e1vny s\u00fabor Subotica, up\u00fa\u0161\u0165aj\u00fa od tradi\u010dn\u00e9ho bojiska hradnej ve\u017ee. Namiesto toho z\u00edskava fig\u00farka valcovit\u00fd alebo ku\u017ee\u013eovit\u00fd tvar s konk\u00e1vnym, poh\u00e1rovit\u00fdm vrcholom, ktor\u00fd pripom\u00edna hlave\u0148 kan\u00f3na. Tento v\u00fdvoj odr\u00e1\u017ea jedine\u010dn\u00e9 jazykov\u00e9 a kult\u00farne vrstvy Balk\u00e1nu, kde tureck\u00e9, slovansk\u00e9 a rak\u00fasko-ma\u010farsk\u00e9 vplyvy \u010dasto d\u00e1vaj\u00fa dielam dvojak\u00e9 n\u00e1zvy, napr\u00edklad Top a Kula (ve\u017ea). Tento kult\u00farny priese\u010dn\u00edk zd\u00f4raz\u0148uje, ako \u0161ach sl\u00fa\u017ei ako most medzi r\u00f4znymi historick\u00fdmi epochami a spolo\u010dnos\u0165ami.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Nishapur Rook (Rukh)<\/b>
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<\/span>Tento kus kame\u0148a z Ni\u0161apuru je starobyl\u00fd Havran, p\u00f4vodne zn\u00e1my ako Ruch. Hoci sa roz\u0161tiepen\u00fd vrch modern\u00e9ho biskupa \u010dasto nespr\u00e1vne pripisuje kl\u00e1tom starovek\u00fdch slon\u00edch kusov, v skuto\u010dnosti to bol tradi\u010dn\u00fd Havran, ktor\u00fd mal t\u00fato v\u00fdrazn\u00fa medzeru medzi dvoma vysok\u00fdmi hranami. T\u00e1to silueta v tvare p\u00edsmena V bola abstraktn\u00fdm zn\u00e1zornen\u00edm voza a zd\u00f4raz\u0148ovala geometrick\u00fd dizajnov\u00fd jazyk, ktor\u00fd definoval ran\u00e9 perzsk\u00e9 a stredomorsk\u00e9 \u0161achov\u00e9 s\u00fapravy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u015eAH\u00ce set fig\u00farka ve\u017ee: Shahrukh<\/b>
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<\/span>\u0160ahrukh, pomenovan\u00fd pod\u013ea syna velite\u013ea a \u0161achov\u00e9ho majstra Timura, znamen\u00e1 \u201dvl\u00e1dca, majster a ve\u013ekolep\u00fd \u0161achista\u201d. \u0160ahrukh sa stal v\u00fdznamn\u00fdm mecen\u00e1\u0161om vedy, kult\u00fary a umenia. V\u00fdraz \u201cRukh\u201d znamen\u00e1 vojnov\u00fd voz a vyvinul sa z neho v\u00fdraz \u201croca\u201d, \u010do v \u0161paniel\u010dine a talian\u010dine znamen\u00e1 ve\u017ea, ktor\u00fd ovplyvnil dizajn \u0161achov\u00fdch fig\u00farok. t\u00e1to fig\u00farka bola v minulosti pomenovan\u00e1 ako vojnov\u00fd voz, ve\u017ea, lo\u010f a delo. Fig\u00farka \u015eahruh obsahuje valiace sa koles\u00e1 vojnov\u00e9ho voza, tehly ve\u017ee, hlave\u0148 dela a kotvu lode.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

The Cannon of the Balkans South Slavic “Top” (Cannon) Design In the South Slavic tradition, the iconography of the rook shifts from architecture to artillery. Because the piece is named Top (meaning “Cannon”), many regional designs such as the famous Subotica set abandon the traditional battlements of a castle tower. Instead, the piece takes on […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1045","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/1045\/revisions"}],"predecessor-version":[{"id":1292,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/1045\/revisions\/1292"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/media?parent=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}