{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/sk\/exhibit\/poster-32\/","title":{"rendered":"plag\u00e1t 32"},"content":{"rendered":"
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Mosty cez hranice: Balk\u00e1n a socialistick\u00e9 dedi\u010dstvo (1950-1991)<\/b> \u265f\ufe0f<\/span><\/p>

T\u00e1to kolekcia prenosn\u00fdch \u0161achov\u00fdch s\u00faprav predstavuje jedine\u010dn\u00fd priese\u010dn\u00edk balk\u00e1nskej, slovanskej, sovietskej a tureckej kult\u00fary. Tieto fig\u00farky neodr\u00e1\u017eaj\u00fa len jeden politick\u00fd blok, ale ilustruj\u00fa rozmanit\u00fa intelektu\u00e1lnu krajinu, v ktorej prekvitali odli\u0161n\u00e9 vzory od nez\u00fa\u010dastnen\u00fdch regi\u00f3nov Juhosl\u00e1vie a\u017e po srdce Sovietskeho zv\u00e4zu. Pre Tamera Karatekina, n\u00e1rodn\u00e9ho \u0161achov\u00e9ho majstra Turecka z roku 2000 a majstra FIDE, sl\u00fa\u017eia tieto s\u00fabory ako osobn\u00e1 mapa jeho cesty v\u00fdvoja a profesion\u00e1lnych m\u00ed\u013enikov.<\/p>

  • Bulharsk\u00e1 magnetick\u00e1 s\u00faprava<\/b>: Balk\u00e1nsky dizajn, kde sa Tamer prv\u00fdkr\u00e1t nau\u010dil hra\u0165 od svojho otca. Obsahuje nen\u00e1bo\u017eensk\u00e9 symboly, \u010do je be\u017en\u00e1 vlastnos\u0165 s\u00faprav ur\u010den\u00fdch na \u0161irok\u00e9 region\u00e1lne pou\u017eitie.<\/span><\/li>
  • Sovietska plastov\u00e1 s\u00faprava v skladacom drevenom boxe<\/b>: Klasick\u00e1, odoln\u00e1 kon\u0161trukcia, ktor\u00e1 sl\u00fa\u017eila ako bojov\u00e9 pole pre nespo\u010detn\u00e9 hry medzi Tamerom a jeho star\u00fdm otcom v ich letnom dome ne\u010faleko Silivri v Istanbule.<\/span><\/li>
  • Sovietsky dizajn Baku Magnetick\u00e1 cestovn\u00e1 s\u00faprava<\/b>: \u0160tudijn\u00fd n\u00e1stroj zo sovietskej \u00e9ry, ktor\u00fd Tamer vyu\u017e\u00edval na anal\u00fdzu majstrovsk\u00fdch hier a zdokona\u013eovanie vlastn\u00fdch strat\u00e9gi\u00ed.<\/span><\/li>
  • Dizajnov\u00e1 sada Subotica (Maced\u00f3nsko, Juhosl\u00e1via)<\/b>: Ikonick\u00fd juhoslovansk\u00fd s\u00fabor Tamer \u0161tudoval \u0161ach vo svojom rodinnom dome v istanbulskom Starom Meste. Tamer cvi\u010dil mnoh\u00e9 partie so svoj\u00edm star\u00fdm otcom M\u00fccahitom Korcom a u\u010dil sa zlo\u017eitosti hry pr\u00e1ve prostredn\u00edctvom t\u00fdchto fig\u00farok. Kor\u00e7a bol celo\u017eivotn\u00fdm u\u010dite\u013eom fyziky a jazykov a priekopn\u00edckym vedcom, ktor\u00fd bol autorom jedn\u00e9ho z prv\u00fdch juhoslovansko-tureck\u00fdch a alb\u00e1nsko-tureck\u00fdch slovn\u00edkov na Balk\u00e1ne.<\/span><\/li>
  • S\u00faprava Varna 1962 \/ \u201cGambit\u201d<\/b>: Tento \u0161pecifick\u00fd \u0161t\u00fdl, p\u00f4vodne in\u0161pirovan\u00fd olympi\u00e1dou vo Varne v roku 1962, ktor\u00fd do Turecka priniesli tureck\u00ed pris\u0165ahovalci z Bulharska, bol ofici\u00e1lnym setom Majstrovstiev Turecka v \u0161achu v roku 2000, kde Tamer z\u00edskal titul n\u00e1rodn\u00e9ho \u0161ampi\u00f3na. Rovnak\u00fd dizajn s\u00fapravy mo\u017eno vidie\u0165 na Tamerovom fotografickom pozad\u00ed ako fotografiu, na ktorej hr\u00e1 \u0161ach v ove\u013ea mlad\u0161om veku. Najpozoruhodnej\u0161ie je, \u017ee presne tento dizajn bol pou\u017eit\u00fd v Tamerov\u00fdch exhibi\u010dn\u00fdch z\u00e1pasoch v roku 1997, ktor\u00e9 sa skon\u010dili rem\u00edzami s legendami Garrym Kasparovom a Anatolijom Karpovom.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/sk\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}