{"id":1068,"date":"2026-02-22T18:39:42","date_gmt":"2026-02-22T18:39:42","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1068"},"modified":"2026-02-24T09:00:42","modified_gmt":"2026-02-24T09:00:42","slug":"poster-29","status":"publish","type":"page","link":"https:\/\/shatranj.art\/sl\/exhibit\/poster-29\/","title":{"rendered":"plakat 29"},"content":{"rendered":"
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\u015eAH\u00ce komplet monarh\/\u010drnilo\/\u0161ah kos: G\u00fcl\u015fah<\/strong><\/p>

G\u00fcl\u015fah predstavlja modrost naglavnega ovoja, svetost in avtoriteto kupole ter vrtnico kot simbol \u017eivljenja in lepote, ki ju je treba za\u0161\u010dititi pred \u0161ahom. Kupola \u010drpa navdih iz ikoni\u010dnih struktur, kot so Hagia Sophia, Panteon in MIT. Naglavni ovoj odra\u017ea intelektualno zapu\u0161\u010dino zgodnjih \u0161ahovskih avtorjev, kot sta As-Suli in Stamma, medtem ko krona spominja na olj\u010dne vence starodavnih olimpijskih iger. V preteklosti so to figuro imenovali raja, \u0161ah, kralj ali poveljnik. \u201cG\u00fcl\u201d v srednjeazijskih jezikih pomeni vrtnica. \u201c\u015eah\u201d, ki se izgovarja kot \u2018\u0161ah\u2019, je ime za \u0161ah v \u0161tevilnih jezikih. Medtem ko se je \u0161ah prvotno nana\u0161al na mo\u0161ka pravila, je njegova metafori\u010dna ali sodobna raba postala spolno nevtralna.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Opis in dedi\u0161\u010dina<\/strong><\/p>

Figura G\u00fcl\u015fah ima zna\u010dilno obliko ovitka za glavo, ki je v \u010dast intelektualnim velikanom \u0161ahovske zgodovine. Pokrivalo je oblikovano po tradicionalnih turbanih, ki sta jih nosila srednjeve\u0161ka mojstra as-Suli in Philipp Stamma, mojster in kraljevi prevajalec iz 18. stoletja. Stamma, ki se je rodil v Alepu in deloval v glavnih intelektualnih sredi\u0161\u010dih Londona in Pariza, je bil resni\u010dno ve\u010dkulturna osebnost, ki je s svojim delom tolma\u010da za britansko dr\u017eavo in pionirskimi sistemi \u0161ahovskega zapisa povezal vzhodne in zahodne tradicije. Ta oblika daje kosu ob\u010dutek globoke modrosti in znanstvene avtoritete.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Okrasni listi\u010di vrtnic in olj\u010dna krona Olimpa<\/strong><\/p>

Na kroni monarha \u015eAH\u00ce so cvetni listi vrtnic, ki simbolizirajo lepoto in krhkost \u017eivljenja - dragoceno stanje, ki ga je treba odlo\u010dno varovati, tako kot kralja na \u0161ahovnici, da ne pride do \u0161ahovnice. Ta zasnova je dodatno navdihnjena z olj\u010dno krono z Olimpa, ki povezuje zgodovinsko prizadevanje za zmago z ohranjanjem krhke narave \u017eivljenja.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dedi\u0161\u010dina razsvetljenstva<\/strong>
Zapu\u0161\u010dina R\u00e9gence v kompletu \u015eah\u00ee<\/strong><\/p>

\u00a0<\/p>

Francoski komplet R\u00e9gence simbolizira razsvetljenstvo, obdobje, ki sta ga zaznamovala razum in prizadevanje za znanje. Ta komplet, ki so ga igrali zgodovinski velikani, kot so Benjamin Franklin, Napoleon Bonaparte in mojster Philidor v znameniti kavarni Caf\u00e9 de la R\u00e9gence, je postal standard za intelektualno tekmovanje. \u0160ahovski komplet \u015eah\u00ee namerno ohranja to dedi\u0161\u010dino. S cvetli\u010dnimi motivi kralja iz R\u00e9gence za figuro G\u00fcl\u015fah komplet \u015eah\u00ee povezuje evropsko eleganco 18. stoletja z globokimi znanstvenimi tradicijami Vzhoda in tako po\u010dasti mojstre, ki so dolo\u010dili zlato dobo te igre.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce set monarch\/king\/shah piece: G\u00fcl\u015fah G\u00fcl\u015fah represents the wisdom of the headwrap, the sanctity and authority of the dome, and rose as a symbol of life and beauty, which must be protected from checkmate. The dome draws inspiration from iconic structures like the Hagia Sophia, the Pantheon, and MIT. The headwrap reflects the intellectual legacy […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1068","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/pages\/1068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/comments?post=1068"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/pages\/1068\/revisions"}],"predecessor-version":[{"id":1561,"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/pages\/1068\/revisions\/1561"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/sl\/wp-json\/wp\/v2\/media?parent=1068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}