{"id":1032,"date":"2026-02-22T17:38:33","date_gmt":"2026-02-22T17:38:33","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1032"},"modified":"2026-02-24T09:08:36","modified_gmt":"2026-02-24T09:08:36","slug":"poster-26","status":"publish","type":"page","link":"https:\/\/shatranj.art\/sq\/exhibit\/poster-26\/","title":{"rendered":"Posteri 26"},"content":{"rendered":"
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Shahi <\/b>Abul-Abbas: Udh\u00ebtimi i Elefantit P\u00ebrmes Tre Kontinenteve<\/b><\/p>

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Kjo figur\u00eb mban emrin e elefantit t\u00eb bardh\u00eb legjendar, Abul-Abbas, t\u00eb dhuruar nga kalifi abasid Harun al-Rashid perandorit t\u00eb Shenjt\u00eb Romak, Karlemagnit, n\u00eb shekullin e 9-t\u00eb. Ky udh\u00ebtim historik simbolizon migrimin e shahut nga India dhe Lindja e Mesme n\u00eb Evrop\u00eb, duke sh\u00ebnuar nj\u00eb nga shk\u00ebmbimet m\u00eb t\u00eb hershme t\u00eb m\u00ebdha kulturore n\u00eb histori. Duke mish\u00ebruar evolucionin e figur\u00ebs s\u00eb njohur n\u00eb shahun modern si l\u00ebviz\u00ebse diagonale e pakufizuar, ky dizajn ofron nj\u00eb sintez\u00eb t\u00eb pand\u00ebrprer\u00eb t\u00eb Lindjes dhe Per\u00ebndimit, duke bashkuar ikonografin\u00eb e lasht\u00eb lindore me trash\u00ebgimin\u00eb strategjike per\u00ebndimore. Nj\u00ebher\u00eb nj\u00eb figur\u00eb e kufizuar t\u00eb k\u00ebrcente vet\u00ebm dy katror\u00eb n\u00eb m\u00ebnyr\u00eb diagonale, \u201cFildishri\u201d \u00ebsht\u00eb riimagjinuar k\u00ebtu p\u00ebr t\u00eb nderuar rr\u00ebnj\u00ebt e tij historike, nd\u00ebrsa p\u00ebrqafon rolin e tij modern n\u00eb tabel\u00eb.<\/p>

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Gjat\u00eb gjith\u00eb historis\u00eb s\u00eb shahut, kjo figur\u00eb \u00ebsht\u00eb quajtur elefant, krokodil, breshk\u00eb, deve, mbajt\u00ebs-standard, korrier, oficer, lans\u00eb, vrapues, gjuetar, hark\u00ebtar, bufon, l\u00ebviz\u00ebs diagonal dhe peshkop. Dizajni i saj n\u00eb shahun modern zakonisht ka form\u00ebn e mitr\u00ebs s\u00eb peshkopit.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Elefanti i Karlit t\u00eb Madh: Nj\u00eb trash\u00ebgimi madh\u00ebshtore mesjetare<\/b><\/p>

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Q\u00eb daton nga shekulli i 11-t\u00eb dhe besohet se ka origjin\u00eb nga Italia e Jugut ose Spanja, ky koleksion i njohur p\u00ebrfaq\u00ebson kulmin e mjesht\u00ebris\u00eb s\u00eb punimit t\u00eb fildisht\u00eb. Si pjes\u00eb e t\u00eb famshm\u00ebve \u201cFigurina t\u00eb Shahut t\u00eb Karlit t\u00eb Madh\u201d, kjo figur\u00eb elefanti dallohet me gdhendjet e saj t\u00eb nd\u00ebrlikuara q\u00eb pasqyrojn\u00eb veshjet aristokrate dhe element\u00ebt simbolik\u00eb t\u00eb asaj epoke. Duke dokumentuar transformimin estetik t\u00eb shahut nd\u00ebrsa ai migroi nga bota islame n\u00eb oborret evropiane, ky fragment v\u00ebrteton se loja nuk ishte vet\u00ebm nj\u00eb mjet strategjie, por edhe nj\u00eb simbol i fuqish\u00ebm i pushtetit diplomatik dhe kulturor.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1950 Peshkop\u00ebt e Dubrovnikut dhe Stauntonit: Forma dhe Simbolizmi<\/b><\/p>

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Ky vizual kontrastizon se si dy filozofi t\u00eb ndryshme dizajni reflektohen n\u00eb figurat e peshkopit (pjes\u00ebt e par\u00eb dhe t\u00eb tret\u00eb nga e majta i p\u00ebrkasin setit t\u00eb Dubrovnikut). Peshku i Dubrovnikut i vitit 1950 ofron nj\u00eb estetik\u00eb m\u00eb sekulare dhe moderne, t\u00eb p\u00ebrcaktuar nga silueta e tij elegante dhe detajet e holla, i lir\u00eb nga simbolet fetare. N\u00eb kontrast, peshku Staunton ndjek format tradicionale kristiane, duke paraqitur nj\u00eb prerje mitre t\u00eb dallueshme, nj\u00eb simbol fetar brenda nj\u00eb strukture m\u00eb t\u00eb ngurt\u00eb dhe t\u00eb fort\u00eb. Dallimi midis dizajnit dinamik dhe gjith\u00ebp\u00ebrfshir\u00ebs t\u00eb Dubrovnikut dhe kufijve tradicional\u00eb t\u00eb Stauntonit tregon se si figurat e shahut sh\u00ebrbejn\u00eb si p\u00ebrfaq\u00ebsime t\u00eb identitetit kulturor.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Peshkopi Dominic i Bor\u00ebs: Nj\u00eb form\u00eb strategjike bashk\u00ebkohore<\/b><\/p>

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Duke pasqyruar vizionin krijues t\u00eb artistit Dominic Snow, kjo vep\u00ebr i jep jet\u00eb moderne dhe skulpturale figurave tradicionale t\u00eb shahut. Forma e saj e rrjedhshme dhe kalimet e jasht\u00ebzakonshme t\u00eb ngjyrave tejkalojn\u00eb kufijt\u00eb konvencional\u00eb t\u00eb peshkopit, duke rishkruar element\u00ebt klasik\u00eb t\u00eb loj\u00ebs p\u00ebrmes shprehjes artistike. Kjo figur\u00eb sh\u00ebrben si d\u00ebshmi se shahu nuk \u00ebsht\u00eb thjesht nj\u00eb betej\u00eb mendjesh, por nj\u00eb p\u00ebrvoj\u00eb estetike me shtresa t\u00eb thella vizuale dhe intelektuale.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Elefanti i shahut nga epoka timuride<\/b>
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<\/span>Kjo cop\u00eb guri e gdhendur me dor\u00eb ilustron tranzicionin historik nga realizmi figurativ drejt abstraksionit islamik. Forma e ve\u00e7ant\u00eb \u201cme dy brir\u00eb\u201d \u00ebsht\u00eb nj\u00eb p\u00ebrfaq\u00ebsim simbolik i fildisht\u00ebve t\u00eb nj\u00eb elefanti, nj\u00eb dizajn q\u00eb u p\u00ebrhap n\u00eb t\u00eb gjith\u00eb Lindjen e Mesme dhe Mesdheun. Nd\u00ebrsa anglez\u00ebt m\u00eb von\u00eb adoptuan emrin \u201cBishop\u201d, spanjoll\u00ebt ruajt\u00ebn rr\u00ebnj\u00ebn arabe origjinale si Alfil (Elefanti), dhe francez\u00ebt e zhvilluan fonetikisht termin n\u00eb Le Fou. Ky fragment mbetet nj\u00eb d\u00ebshmi e trash\u00ebgimis\u00eb s\u00eb q\u00ebndrueshme t\u00eb karakterit origjinal t\u00eb elefantit dhe shpirtit universal t\u00eb loj\u00ebs.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Cop\u00eb elefanti nga Nishapuri, shekull i 9-t\u00eb

<\/b>Fildishe me form\u00eb t\u00eb ngjashme u p\u00ebrdor\u00ebn n\u00eb Spanj\u00eb dhe shihen si ikona shahu brenda \"Libro del Acedrez\", t\u00eb shkruar n\u00eb Spanj\u00ebn e shekullit t\u00eb 13-t\u00eb.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce Abul-Abbas: The Elephant\u2019s Journey Across Three Continents \u00a0 This figure takes its name from the legendary white elephant, Abul-Abbas, gifted by the Abbasid Caliph Harun al-Rashid to the Holy Roman Emperor Charlemagne in the 9th century. This historical voyage symbolizes the migration of chess from India and the Middle East to Europe, marking one […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1032","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":22,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1032\/revisions"}],"predecessor-version":[{"id":1576,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1032\/revisions\/1576"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/media?parent=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}