{"id":1045,"date":"2026-02-22T18:00:08","date_gmt":"2026-02-22T18:00:08","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1045"},"modified":"2026-02-23T06:54:44","modified_gmt":"2026-02-23T06:54:44","slug":"poster-27","status":"publish","type":"page","link":"https:\/\/shatranj.art\/sq\/exhibit\/poster-27\/","title":{"rendered":"Posteri 27"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Topi i Ballkanit<\/b><\/h3>

Dizajni jugslav \u201cTop\u201d (Topi)<\/b><\/p>

N\u00eb tradit\u00ebn e sllav\u00ebve t\u00eb Jugut, ikonografia e rook-ut kalon nga arkitektura te artileria. P\u00ebr shkak se kjo figur\u00eb quhet Top (q\u00eb do t\u00eb thot\u00eb \u201ckanon\u201d), shum\u00eb dizajne rajonale, si seti i famsh\u00ebm i Subotic\u00ebs, braktisin muret mbrojt\u00ebse tradicionale t\u00eb kull\u00ebs s\u00eb k\u00ebshtjell\u00ebs. N\u00eb vend t\u00eb k\u00ebsaj, figura merr nj\u00eb form\u00eb cilindrike ose konike me nj\u00eb maj\u00eb t\u00eb brendshme, si kup\u00eb, q\u00eb i ngjan goj\u00ebs s\u00eb nj\u00eb topi. Kjo evolucion reflekton shtresat unike gjuh\u00ebsore dhe kulturore t\u00eb Ballkanit, ku ndikimet turke, sllave dhe austro-hungareze shpesh i japin figurave emra t\u00eb dyfisht\u00eb, si Top dhe Kula (Kull\u00eb). Ky nd\u00ebrthurje kulturor thekson se si shahu sh\u00ebrben si nj\u00eb ur\u00eb midis epokave dhe shoq\u00ebrive t\u00eb ndryshme historike.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Nishapur Rook (Rukh)<\/b>
<\/span>
<\/span>Ky cop\u00eb guri nga Nishapuri \u00ebsht\u00eb nj\u00eb Kull\u00eb e lasht\u00eb, q\u00eb n\u00eb origjin\u00eb njihej si Rukh. Nd\u00ebrsa maja e ndar\u00eb e Fisht\u00ebs moderne shpesh i atribuohet gabimisht brir\u00ebve t\u00eb copave t\u00eb lashta t\u00eb elefantit, n\u00eb t\u00eb v\u00ebrtet\u00eb ishte Kulla tradicionale ajo q\u00eb kishte k\u00ebt\u00eb hapje t\u00eb dukshme midis dy an\u00ebve t\u00eb larta. Kjo siluet\u00eb n\u00eb form\u00eb V ishte nj\u00eb p\u00ebrfaq\u00ebsim abstrakt i nj\u00eb karroce, duke theksuar gjuh\u00ebn e dizajnit gjeometrik q\u00eb p\u00ebrcaktonte setet e hershme t\u00eb shahut persian dhe mesdhetar.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pjes\u00eb e setit t\u00eb Shahit: Shahrukh<\/b>
<\/span>
<\/span>Shahrukh, i em\u00ebruar sipas djalit t\u00eb komandantit dhe mjeshtrit t\u00eb shahut Timur, do t\u00eb thot\u00eb \u201dSundimtar, Mjesht\u00ebr dhe Madh\u00ebshtori i Kullave\u201d. Shahrukh u b\u00eb nj\u00eb mb\u00ebshtet\u00ebs i r\u00ebnd\u00ebsish\u00ebm i shkenc\u00ebs, kultur\u00ebs dhe artit. Termi \u201cRukh\u201d do t\u00eb thot\u00eb karroc\u00eb lufte dhe u zhvillua n\u00eb \u201croca\u201d, q\u00eb do t\u00eb thot\u00eb kull\u00eb n\u00eb spanjisht dhe italisht, gj\u00eb q\u00eb ndikoi n\u00eb dizajnin e figurave t\u00eb shahut. Kjo figur\u00eb historikisht \u00ebsht\u00eb quajtur karroc\u00eb lufte, kull\u00eb, anije dhe top. Figura \u015eahruh p\u00ebrfshin rrotat rrotulluese t\u00eb nj\u00eb karroce lufte, tullat e nj\u00eb kulle, trupin e nj\u00eb topi dhe ankor\u00ebn e nj\u00eb anijeje.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

The Cannon of the Balkans South Slavic “Top” (Cannon) Design In the South Slavic tradition, the iconography of the rook shifts from architecture to artillery. Because the piece is named Top (meaning “Cannon”), many regional designs such as the famous Subotica set abandon the traditional battlements of a castle tower. Instead, the piece takes on […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1045","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1045\/revisions"}],"predecessor-version":[{"id":1292,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1045\/revisions\/1292"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/media?parent=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}