{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/sq\/exhibit\/poster-32\/","title":{"rendered":"Posteri 32"},"content":{"rendered":"
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Ura p\u00ebrtej kufijve: Trash\u00ebgimia ballkanike dhe socialiste (1950\u20131991)<\/b> \u265f\ufe0f<\/span><\/p>

Kjo koleksion shahesh portativ\u00eb p\u00ebrfaq\u00ebson nj\u00eb kryq\u00ebzim unik t\u00eb kulturave ballkanike, sllave, sovjetike dhe turke. N\u00eb vend q\u00eb t\u00eb pasqyroj\u00eb nj\u00eb bllok politik t\u00eb vet\u00ebm, k\u00ebto copa ilustrojn\u00eb nj\u00eb peizazh intelektual t\u00eb larmish\u00ebm, ku dizajne t\u00eb dallueshme lul\u00ebzuan nga rajonet e Panjan\u00ebs s\u00eb Jugosllavis\u00eb deri n\u00eb zem\u00ebr t\u00eb Bashkimit Sovjetik. P\u00ebr Tamer Karatekin, Kampion Komb\u00ebtar i Shahut t\u00eb Turqis\u00eb n\u00eb vitin 2000 dhe Master i FIDE-s, k\u00ebto sete sh\u00ebrbejn\u00eb si nj\u00eb hart\u00eb personale e udh\u00ebtimit t\u00eb tij zhvillimor dhe arritjeve profesionale.<\/p>

  • Seti Magnetike Bullgar<\/b>: Nj\u00eb dizajn ballkanik ku Tameri m\u00ebsoi loj\u00ebn p\u00ebr her\u00eb t\u00eb par\u00eb nga babai i tij. Ai p\u00ebrmban simbole jo-fetare, nj\u00eb ve\u00e7ori e zakonshme e seteve t\u00eb destinuara p\u00ebr p\u00ebrdorim t\u00eb gjer\u00eb rajonal.<\/span><\/li>
  • Seti plastik sovjetik n\u00eb kuti druri t\u00eb palosshme<\/b>: Nj\u00eb dizajn klasik dhe i q\u00ebndruesh\u00ebm q\u00eb sh\u00ebrbeu si fush\u00eb beteje p\u00ebr loj\u00ebra t\u00eb panum\u00ebrta midis Tamerit dhe gjyshit t\u00eb tij n\u00eb sht\u00ebpin\u00eb e tyre verore pran\u00eb Silivrit, Stamboll.<\/span><\/li>
  • Set udh\u00ebtimi magnetik me dizajn sovjetik Baku<\/b>: Nj\u00eb mjet studimi nga epoka sovjetike q\u00eb Tamer e p\u00ebrdorte p\u00ebr t\u00eb analizuar loj\u00ebrat e mjeshtrave dhe p\u00ebr t\u00eb p\u00ebrmir\u00ebsuar strategjit\u00eb e tij.<\/span><\/li>
  • Seti i Dizajnit Subotica (Maqedoni, Jugosllavi)<\/b>Seti ikonik jugosllav q\u00eb Tamer p\u00ebrdorte p\u00ebr t\u00eb studiuar shahun n\u00eb sht\u00ebpin\u00eb e familjes s\u00eb tij n\u00eb Lagjen e Vjet\u00ebr t\u00eb Stambollit. Tamer praktikoi shum\u00eb ndeshje me gjyshin e tij, M\u00fccahit Kor\u00e7a, duke m\u00ebsuar holl\u00ebsit\u00eb e loj\u00ebs p\u00ebrmes k\u00ebtyre figurave. Kor\u00e7a ishte nj\u00eb edukator i p\u00ebrjetsh\u00ebm i fizik\u00ebs dhe gjuh\u00ebve dhe nj\u00eb studiues pionier, i cili autorizoi nj\u00eb nga fjalor\u00ebt e par\u00eb jugosllav-turqisht dhe shqip-turqisht n\u00eb Ballkan.<\/span><\/li>
  • Seti Varna 1962 \/ \u201cGambit\u201d<\/b>: Fillimisht i frym\u00ebzuar nga Olimpiada e Varn\u00ebs e vitit 1962 dhe i sjell\u00eb n\u00eb Turqi nga emigrant\u00ebt turq nga Bullgaria, ky stil i ve\u00e7ant\u00eb ishte kompleti zyrtar i Kampionatit Turqit t\u00eb Shahut 2000, ku Tamer u kuror\u00ebzua Kampion Komb\u00ebtar. I nj\u00ebjti komplet dizajni shihet n\u00eb sfondin e fotos s\u00eb Tamerit, nd\u00ebrsa ai luan shah n\u00eb nj\u00eb mosh\u00eb shum\u00eb m\u00eb t\u00eb re. M\u00eb e ve\u00e7anta, ishte pik\u00ebrisht ky dizajn q\u00eb u p\u00ebrdor n\u00eb ndeshjet ekspozite t\u00eb Tamerit n\u00eb vitin 1997, t\u00eb cilat p\u00ebrfunduan n\u00eb barazim me legjendat Garry Kasparov dhe Anatoly Karpov.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/sq\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}