{"id":1045,"date":"2026-02-22T18:00:08","date_gmt":"2026-02-22T18:00:08","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1045"},"modified":"2026-02-23T06:54:44","modified_gmt":"2026-02-23T06:54:44","slug":"poster-27","status":"publish","type":"page","link":"https:\/\/shatranj.art\/sw\/exhibit\/poster-27\/","title":{"rendered":"Bango 27"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1045\" class=\"elementor elementor-1045\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cb9e80e e-flex e-con-boxed e-con e-parent\" data-id=\"cb9e80e\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-c0024d0 e-con-full e-flex e-con e-child\" data-id=\"c0024d0\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-99752bb elementor-widget elementor-widget-image\" data-id=\"99752bb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"720\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica.jpg\" class=\"attachment-large size-large wp-image-1047\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica.jpg 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica-300x270.jpg 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/dede-takimi-kale-top-subotica-768x692.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d61bb1f elementor-widget elementor-widget-text-editor\" data-id=\"d61bb1f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><b>Kanuni ya Balkan<\/b><\/h3><p><b>Muundo wa \u201cTop\u201d (Cannon) wa Kislaviki Kusini<\/b><\/p><p>Katika tamaduni ya Waslaviki wa Kusini, ikoniografia ya mnara hubadilika kutoka usanifu hadi silaha za mizinga. Kwa sababu kipande hiki kinaitwa Top (kinachomaanisha \u201cmzinga\u201d), miundo mingi ya kikanda kama vile seti maarufu ya Subotica huacha ngome za jadi za mnara wa kasri. Badala yake, kipande hicho hupata umbo la silinda au linalochongoka kuelekea juu, kikiwa na sehemu ya juu iliyochongoka ndani, kama kikombe, inayofanana na mdomo wa mizinga. Mabadiliko haya yanaakisi tabaka za kipekee za lugha na utamaduni za Balkan, ambapo ushawishi wa Kituruki, Kislaviki, na Kiaustro-Hungaria mara nyingi huipa vipande majina mawili, kama vile Top na Kula (Mnara). Mwingiliano huu wa kitamaduni unaonyesha jinsi mchezo wa sataranja unavyotumika kama daraja kati ya enzi na jamii tofauti za kihistoria.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d9490d4 e-con-full e-flex e-con e-child\" data-id=\"d9490d4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-53c002b elementor-widget elementor-widget-image\" data-id=\"53c002b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"921\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-889x1024.jpeg\" class=\"attachment-large size-large wp-image-1048\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-889x1024.jpeg 889w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-261x300.jpeg 261w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur-768x884.jpeg 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/rook-nishapur.jpeg 1042w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7b2ef7f elementor-widget elementor-widget-text-editor\" data-id=\"7b2ef7f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Nguzo ya Nishapur (Rukh)<\/b> <span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>Kipande hiki cha jiwe kutoka Nishapur ni Mnara wa kale, uliokuwa ukijulikana awali kama Rukh. Ingawa sehemu ya juu iliyogawanyika ya Biskopu wa kisasa mara nyingi huhusishwa kimakosa na pembe za vipande vya tembo vya kale, kwa kweli ilikuwa Mnara wa jadi uliokuwa na pengo hili kubwa kati ya pande mbili ndefu. Umbo hili lenye mviringo wa V lilikuwa uwakilishi wa dhahania wa gari la farasi, likionyesha lugha ya muundo wa kijiometri iliyofafanua seti za chess za mapema za Kifarisi na Mediterania.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-03fdcd4 e-con-full e-flex e-con e-child\" data-id=\"03fdcd4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-05ec882 elementor-widget elementor-widget-image\" data-id=\"05ec882\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1024x1024.png\" class=\"attachment-large size-large wp-image-1049\" alt=\"\" srcset=\"https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1024x1024.png 1024w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-300x300.png 300w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-150x150.png 150w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-768x768.png 768w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-1536x1536.png 1536w, https:\/\/shatranj.art\/wp-content\/uploads\/2026\/02\/shahi-rook-shahkrukh-piece-2048x2048.png 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cb65d08 elementor-widget elementor-widget-text-editor\" data-id=\"cb65d08\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>\u015eAH\u00ce seti ya rook: Shahrukh<\/b><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span>Shahrukh, aliyepewa jina la mwana wa kamanda na bingwa wa chess Timur, linamaanisha \u201dMtawala, Mwalimu, na Mkuu wa Minara\u201d. Shahrukh alikuwa mfadhili mkubwa wa sayansi, utamaduni, na sanaa. Neno \u201cRukh\u201d linamaanisha gari la kivita na lilibadilika kuwa \u201croca\u201d, lenye maana ya mnara katika Kihispania na Kiitaliano, jambo lililoathiri miundo ya vipande vya chess. Kipande hiki kimeitwa kihistoria gari la kivita, mnara, meli, na kanuni. Kipande cha \u015eahruh kinajumuisha magurudumu yanayozunguka ya gari la kivita, matofali ya mnara, pipa la kanuni, na nanga ya meli.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>The Cannon of the Balkans South Slavic &#8220;Top&#8221; (Cannon) Design In the South Slavic tradition, the iconography of the rook shifts from architecture to artillery. Because the piece is named Top (meaning &#8220;Cannon&#8221;), many regional designs such as the famous Subotica set abandon the traditional battlements of a castle tower. Instead, the piece takes on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1045","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/pages\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/pages\/1045\/revisions"}],"predecessor-version":[{"id":1292,"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/pages\/1045\/revisions\/1292"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/sw\/wp-json\/wp\/v2\/media?parent=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}