{"id":1032,"date":"2026-02-22T17:38:33","date_gmt":"2026-02-22T17:38:33","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1032"},"modified":"2026-02-24T09:08:36","modified_gmt":"2026-02-24T09:08:36","slug":"poster-26","status":"publish","type":"page","link":"https:\/\/shatranj.art\/tk\/exhibit\/poster-26\/","title":{"rendered":"26-njy plakat"},"content":{"rendered":"
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\u015eAH\u00ce <\/b>Abul-Abbas: Filini\u0148 \u00fc\u00e7 kontinenti\u0148 \u00fcsti bo\u00fdun\u00e7a sy\u00fdahaty<\/b><\/p>

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Bu \u015fekil adyny 9-njy asyrda Abbasiler halifasy Harun al-Rashid tarapyndan Mukaddes Rim imperatory \u015earlman'a sowgat edilen rowa\u00fdatdaky ak fill Abul-Abbas'dan al\u00fdar. Bu taryhy sy\u00fdahat \u015fahmaty\u0148 Hindistandan we Orta G\u00fcndogardan \u00ddewropaya g\u00f6\u00e7\u00fcni nygta\u00fdar we taryhda ilkinji uly medeni aly\u015f-\u00e7aly\u015flary\u0148 birini alamatlandyr\u00fdar. H\u00e4zirki \u015fahmatda \u00e7\u00e4ksiz diagonal hereket ediji h\u00f6km\u00fcnde tanal\u00fdan b\u00f6legi\u0148 \u00f6s\u00fc\u015fini \u00f6z\u00fcnde jemle\u00fd\u00e4n bu diza\u00fdn, gadymy g\u00fcndogar ikonografiyasyny G\u00fcnbatar strategi\u00fda mirasy bilen sazla\u015fykly birle\u015fdir\u00fd\u00e4r. Ilki iki kwadraty diagonal sekmek bilen \u00e7\u00e4klendirilen \u201cFil\u201d bolsa, bu \u00fderde taryhy k\u00f6klerini hormatlamak bilen birlikde, taxtadaky h\u00e4zirki rolyny hem \u00f6z\u00fcnde jemle\u00fd\u00e4r.<\/p>

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\u015eahmat taryhy bo\u00fdy bu fi\u00fdgur fill, timsah, toshbaqa, deve, ba\u00fddak g\u00f6teriji, habar\u00e7y, ofiser, niz, \u00fdygyrdyjy, ov\u00e7y, ok at\u00fdan, g\u00fclk\u00fcn\u00e7, diagonal hereket ediji we episkop atlary bilen atlandyryldy. H\u00e4zirki \u015fahmatda onu\u0148 diza\u00fdny adat\u00e7a episkopy\u0148 mitrasyny\u0148 g\u00f6rn\u00fc\u015finde bol\u00fdar.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Karlemany\u0148 Fillisi: Be\u00fdik orta asyr mirasy<\/b><\/p>

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11-nji asyra degi\u015fli we G\u00fcnorta Itali\u00fda \u00fda-da Ispani\u00fdadan gelip \u00e7ykylandygy \u00e7aklanyl\u00fdan bu me\u015fhur \u00fdygyndy fil s\u00fcm\u00fck\u00e7ilik ussatlygyny\u0148 i\u0148 \u00fdokary derejesini g\u00f6rkez\u00fd\u00e4r. Me\u015fhur \u201cKarlemany \u015eahmat Figurkalaryny\u0148\u201d bir b\u00f6legi bolan bu filli figura, d\u00f6wri\u0148 aristokrat ge\u00fdin\u015flerini we simwolik elementlerini g\u00f6rkez\u00fd\u00e4n \u00e7yl\u015fyrymly o\u00fdma bezegleri bilen tapawutlan\u00fdar. \u015eahmaty\u0148 Yslam d\u00fcn\u00fd\u00e4sinden \u00ddewropa saraylaryna ge\u00e7megini\u0148 estetiki \u00fc\u00fdtgemelerini dokumentirlemek bilen, bu eser o\u00fduny\u0148 di\u0148e strategi\u00fda guraly d\u00e4l, e\u00fdsem diplomatik we medeni g\u00fc\u00fdji\u0148 g\u00fc\u00fd\u00e7li ny\u015fany bolandygyny subut ed\u00fd\u00e4r.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1950 Dubrovnik we Staunton piskoplary: Forma we simwolizm<\/b><\/p>

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Bu \u015fekil iki d\u00fcrli diza\u00fdn filosofi\u00fdasyny\u0148 piskopos b\u00f6leklerinde n\u00e4hili aks ed\u00fd\u00e4ndigini g\u00f6rkez\u00fd\u00e4r (\u00e7epden birinji we \u00fc\u00e7\u00fcnji b\u00f6lekler Dubrovnik toplumyna degi\u015flidir). 1950-nji \u00fdyly\u0148 Dubrovnik piskopy dini ny\u015fanlardan azat, owadan silueti we in\u00e7e jikme-jiklikleri bilen h\u00e4si\u00fdetlendiril\u00fd\u00e4n has sek\u00fcler we h\u00e4zirki zaman estetika h\u00f6d\u00fcrle\u00fd\u00e4r. Munu\u0148 tersine, Staunton piskopy d\u00e4p bolan hristian formalaryny yzarla\u00fdar; ol a\u00fddy\u0148 miter kesimi bilen, has berk we durnukly gurlu\u015fy\u0148 i\u00e7inde \u00fderle\u015f\u00fd\u00e4n dini ny\u015fan h\u00f6d\u00fcrle\u00fd\u00e4r. Dubrovniky\u0148 dinamik, \u00f6z i\u00e7ine al\u00fdan diza\u00fdny bilen Stauntony\u0148 d\u00e4p bolan \u00e7\u00e4klerini\u0148 arasyndaky tapawut, \u015fahmat b\u00f6leklerini\u0148 medeni \u015fahsy\u00fdeti\u0148 ny\u015fany h\u00f6km\u00fcnde n\u00e4hili hyzmat ed\u00fd\u00e4ndigini g\u00f6rkez\u00fd\u00e4r.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dominik Garly Piskopos: H\u00e4zirki zaman strategiki forma<\/b><\/p>

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Suratke\u015f Dominic Snow-ny\u0148 d\u00f6redijilikli gara\u00fd\u015fyny aks etdir\u00fd\u00e4n bu eser d\u00e4p bolan \u015fahmat figurlaryna h\u00e4zirki zaman, he\u00fdkeltara\u015flyk janlylygyny ber\u00fd\u00e4r. Onu\u0148 akymly formasy we aja\u00fdyp re\u0148k ge\u00e7i\u015fleri filin d\u00e4p bolan \u00e7\u00e4klerinden ge\u00e7ip, o\u00fduny\u0148 klassiki elementlerini suratke\u015flik be\u00fdanaty arkaly t\u00e4zeden kesgitle\u00fd\u00e4r. Bu figura \u015fahmaty\u0148 di\u0148e a\u0148 b\u00e4sle\u015figi d\u00e4ldigini, e\u00fdsem \u00e7u\u0148\u0148ur wizual we intellektual gatlaklara e\u00fde estetiki tejribe bolup dur\u00fdandygyny subut ed\u00fd\u00e4r.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Timurid d\u00f6wri \u015fahmat fili<\/b>
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<\/span>Bu el bilen o\u00fdulyp i\u015flenen da\u015f eser \u015fekilli realizmden yslam abstraksi\u00fdasyna taryhy ge\u00e7i\u015fi g\u00f6rkez\u00fd\u00e4r. A\u00fdratyn \u201ciki gujakly\u201d g\u00f6rn\u00fc\u015f filli\u0148 di\u015flerini\u0148 simwolik g\u00f6rkezijisi bolup, bu diza\u00fdn Orta G\u00fcndogar we Orta\u00fder de\u0148zi sebitlerinde \u00fda\u00fdrapdyr. I\u0148lisler so\u0148ra \u201cBishop\u201d adyny kabul etse-de, ispanlar asyl arap k\u00f6kini Alfil (Fill) di\u00fdip sakladylar, fransuzlar bolsa bu ady fonetik ta\u00fddan Le Fou di\u00fdip \u00f6w\u00fcrdiler. Bu eser filli\u0148 asyl h\u00e4si\u00fdetini\u0148 dowamly mirasyna we o\u00fduny\u0148 umumy ruhyna \u015fa\u00fdatlyk ed\u00fd\u00e4r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ni\u015fapurdan 9-njy asyrdan filli di\u015finden \u00fdasalan eser

<\/b>\u015ee\u00fdle g\u00f6rn\u00fc\u015fli fillar Ispani\u00fdada ulanyl\u00fdardy we 13-nji asyrda Ispani\u00fdada \u00fdazylan Libro del Acedrez eserinde \u015fahmat ny\u015fanlary h\u00f6km\u00fcnde g\u00f6rkezil\u00fd\u00e4r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u015eAH\u00ce Abul-Abbas: The Elephant\u2019s Journey Across Three Continents \u00a0 This figure takes its name from the legendary white elephant, Abul-Abbas, gifted by the Abbasid Caliph Harun al-Rashid to the Holy Roman Emperor Charlemagne in the 9th century. This historical voyage symbolizes the migration of chess from India and the Middle East to Europe, marking one […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1032","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/pages\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":22,"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/pages\/1032\/revisions"}],"predecessor-version":[{"id":1576,"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/pages\/1032\/revisions\/1576"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/tk\/wp-json\/wp\/v2\/media?parent=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}