{"id":1045,"date":"2026-02-22T18:00:08","date_gmt":"2026-02-22T18:00:08","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1045"},"modified":"2026-02-23T06:54:44","modified_gmt":"2026-02-23T06:54:44","slug":"poster-27","status":"publish","type":"page","link":"https:\/\/shatranj.art\/tr\/exhibit\/poster-27\/","title":{"rendered":"poster 27"},"content":{"rendered":"
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Balkanlar\u0131n Topu<\/b><\/h3>

G\u00fcney Slav \u201cTop\u201d (Cannon) Tasar\u0131m\u0131<\/b><\/p>

G\u00fcney Slav gelene\u011finde kalenin ikonografisi mimariden top\u00e7ulu\u011fa kayar. Par\u00e7aya Top (\u201cTop\u201d anlam\u0131na gelir) ad\u0131 verildi\u011fi i\u00e7in, \u00fcnl\u00fc Subotica seti gibi bir\u00e7ok b\u00f6lgesel tasar\u0131m, bir kale kulesinin geleneksel siperlerini terk eder. Bunun yerine par\u00e7a, bir topun a\u011fz\u0131na benzeyen i\u00e7b\u00fckey, fincan benzeri bir tepeye sahip silindirik veya konik bir \u015fekil al\u0131r. Bu evrim, T\u00fcrk, Slav ve Avusturya Macar etkilerinin s\u0131kl\u0131kla ta\u015flara Top ve Kula (Kule) gibi ikili isimler verdi\u011fi Balkanlar'\u0131n benzersiz dilsel ve k\u00fclt\u00fcrel katmanlar\u0131n\u0131 yans\u0131t\u0131r. Bu k\u00fclt\u00fcrel kesi\u015fme, satranc\u0131n farkl\u0131 tarihsel d\u00f6nemler ve toplumlar aras\u0131nda nas\u0131l bir k\u00f6pr\u00fc g\u00f6revi g\u00f6rd\u00fc\u011f\u00fcn\u00fc vurgular.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Nishapur Kale (Rukh)<\/b>
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<\/span>Ni\u015fabur'dan gelen bu ta\u015f par\u00e7a, orijinal olarak Rukh olarak bilinen antik bir Kale'dir. Modern Fil'in b\u00f6l\u00fcnm\u00fc\u015f tepesi genellikle yanl\u0131\u015f bir \u015fekilde eski fil par\u00e7alar\u0131n\u0131n di\u015flerine atfedilse de, asl\u0131nda iki uzun kenar aras\u0131ndaki bu belirgin bo\u015flu\u011fa sahip olan geleneksel Kale idi. Bu V \u015feklindeki siluet, bir sava\u015f arabas\u0131n\u0131n soyut bir temsiliydi ve erken d\u00f6nem Pers ve Akdeniz satran\u00e7 tak\u0131mlar\u0131n\u0131 tan\u0131mlayan geometrik tasar\u0131m dilini vurguluyordu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u015eAH\u00ce kale ta\u015f\u0131n\u0131 ayarla: Shahrukh<\/b>
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<\/span>Ad\u0131n\u0131 komutan ve satran\u00e7 ustas\u0131 Timur'un o\u011flundan alan Shahrukh, \u201dKalelerin H\u00fck\u00fcmdar\u0131, Ustas\u0131 ve Muhte\u015fem\u201d anlam\u0131na gelir. \u015eahruh bilim, k\u00fclt\u00fcr ve sanat\u0131n \u00f6nemli bir hamisi olmu\u015ftur. Sava\u015f arabas\u0131 anlam\u0131na gelen \u201cRukh\u201d terimi, satran\u00e7 ta\u015f\u0131 tasar\u0131mlar\u0131n\u0131 etkileyen \u0130spanyolca ve \u0130talyanca'da kule anlam\u0131na gelen \u201croca \u201dya d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. \u015eahruh ta\u015f\u0131 bir sava\u015f arabas\u0131n\u0131n d\u00f6nen tekerleklerini, bir kulenin tu\u011flalar\u0131n\u0131, bir topun namlusunu ve bir geminin \u00e7apas\u0131n\u0131 i\u00e7erir.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

The Cannon of the Balkans South Slavic “Top” (Cannon) Design In the South Slavic tradition, the iconography of the rook shifts from architecture to artillery. Because the piece is named Top (meaning “Cannon”), many regional designs such as the famous Subotica set abandon the traditional battlements of a castle tower. Instead, the piece takes on […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1045","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/1045\/revisions"}],"predecessor-version":[{"id":1292,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/1045\/revisions\/1292"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/media?parent=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}