{"id":1136,"date":"2026-02-22T20:20:00","date_gmt":"2026-02-22T20:20:00","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=1136"},"modified":"2026-02-23T09:27:46","modified_gmt":"2026-02-23T09:27:46","slug":"poster-32","status":"publish","type":"page","link":"https:\/\/shatranj.art\/tr\/exhibit\/poster-32\/","title":{"rendered":"poster 32"},"content":{"rendered":"
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S\u0131n\u0131rlar\u0131 A\u015fan K\u00f6pr\u00fcler: Balkan ve Sosyalist Miras (1950-1991)<\/b> \u265f\ufe0f<\/span><\/p>

Ta\u015f\u0131nabilir satran\u00e7 tak\u0131mlar\u0131ndan olu\u015fan bu koleksiyon Balkan, Slav, Sovyet ve T\u00fcrk k\u00fclt\u00fcrlerinin e\u015fsiz bir kesi\u015fimini temsil etmektedir. Tek bir siyasi blo\u011fu yans\u0131tmaktan ziyade, bu par\u00e7alar Yugoslavya'n\u0131n Ba\u011flant\u0131s\u0131zlar b\u00f6lgelerinden Sovyetler Birli\u011fi'nin kalbine kadar farkl\u0131 tasar\u0131mlar\u0131n geli\u015fti\u011fi \u00e7e\u015fitli bir entelekt\u00fcel manzaray\u0131 g\u00f6stermektedir. Bu setler, 2000 T\u00fcrkiye Ulusal Satran\u00e7 \u015eampiyonu ve FIDE Ustas\u0131 Tamer Karatekin i\u00e7in geli\u015fim yolculu\u011funun ve profesyonel d\u00f6n\u00fcm noktalar\u0131n\u0131n ki\u015fisel bir haritas\u0131 niteli\u011findedir.<\/p>

  • Bulgar Manyetik Seti<\/b>: Tamer'in oyunu ilk kez babas\u0131ndan \u00f6\u011frendi\u011fi bir Balkan tasar\u0131m\u0131. Geni\u015f b\u00f6lgesel kullan\u0131m i\u00e7in tasarlanan setlerin ortak bir \u00f6zelli\u011fi olan dini olmayan semboller i\u00e7erir.<\/span><\/li>
  • Katlanabilir ah\u015fap kutu i\u00e7inde Sovyet Plastik Seti<\/b>: \u0130stanbul Silivri yak\u0131nlar\u0131ndaki yazl\u0131k evlerinde Tamer ve dedesi aras\u0131nda say\u0131s\u0131z oyunda sava\u015f alan\u0131 olarak kullan\u0131lan klasik ve dayan\u0131kl\u0131 bir tasar\u0131m.<\/span><\/li>
  • Sovyet Bak\u00fc Tasar\u0131m\u0131 Manyetik Seyahat Seti<\/b>: Tamer'in ana oyunlar\u0131 analiz etmek ve kendi stratejilerini geli\u015ftirmek i\u00e7in kulland\u0131\u011f\u0131 Sovyet d\u00f6nemine ait bir \u00e7al\u0131\u015fma arac\u0131.<\/span><\/li>
  • Subotica Tasar\u0131m Seti (Makedonya, Yugoslavya)<\/b>: Yugoslavya'n\u0131n ikonik seti Tamer, \u0130stanbul'un Eski \u015eehir semtindeki aile evinde satran\u00e7 \u00e7al\u0131\u015f\u0131rd\u0131. Tamer, dedesi M\u00fccahit Kor\u00e7a ile pek \u00e7ok oyun oynam\u0131\u015f ve oyunun inceliklerini bu ta\u015flar arac\u0131l\u0131\u011f\u0131yla \u00f6\u011frenmi\u015ftir. Kor\u00e7a, Balkanlar'daki ilk Yugoslavca-T\u00fcrk\u00e7e ve Arnavut\u00e7a-T\u00fcrk\u00e7e s\u00f6zl\u00fcklerden birini yazan, ya\u015fam boyu fizik ve dil e\u011fitmeni ve \u00f6nc\u00fc bir akademisyendi.<\/span><\/li>
  • Varna 1962 \/ \u201cGambit\u201d Seti<\/b>: Aslen 1962 Varna Olimpiyat\u0131'ndan esinlenen ve Bulgaristan'dan gelen T\u00fcrk g\u00f6\u00e7menler taraf\u0131ndan T\u00fcrkiye'ye getirilen bu \u00f6zel stil, Tamer'in Ulusal \u015eampiyon olarak ta\u00e7land\u0131r\u0131ld\u0131\u011f\u0131 2000 T\u00fcrkiye Satran\u00e7 \u015eampiyonas\u0131'n\u0131n resmi setiydi. Ayn\u0131 tasar\u0131m seti, Tamer'in \u00e7ok daha gen\u00e7 ya\u015fta satran\u00e7 oynarken \u00e7ekilmi\u015f bir foto\u011fraf\u0131n\u0131n arka plan\u0131nda da g\u00f6r\u00fclebilir. En dikkat \u00e7ekici olan\u0131 ise, Tamer'in 1997 y\u0131l\u0131nda efsane oyuncular Garry Kasparov ve Anatoly Karpov ile oynad\u0131\u011f\u0131 ve beraberlikle sonu\u00e7lanan exhibition kar\u015f\u0131la\u015fmalar\u0131nda da ayn\u0131 tasar\u0131m\u0131n kullan\u0131lm\u0131\u015f olmas\u0131d\u0131r.<\/span><\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Bridges Across Borders: The Balkan and Socialist Legacy (1950\u20131991) \u265f\ufe0f This collection of portable chess sets represents a unique intersection of Balkan, Slavic, Soviet, and Turkish cultures. Rather than reflecting a single political bloc, these pieces illustrate a diverse intellectual landscape where distinct designs flourished from the Non-Aligned regions of Yugoslavia to the heart of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":16,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/1136\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/1136\/revisions\/1383"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/tr\/wp-json\/wp\/v2\/media?parent=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}