{"id":826,"date":"2026-02-21T20:39:58","date_gmt":"2026-02-21T20:39:58","guid":{"rendered":"https:\/\/shatranj.art\/?page_id=826"},"modified":"2026-02-23T04:40:58","modified_gmt":"2026-02-23T04:40:58","slug":"poster-9","status":"publish","type":"page","link":"https:\/\/shatranj.art\/vi\/exhibit\/poster-9\/","title":{"rendered":"Banner 9"},"content":{"rendered":"
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Di s\u1ea3n chi\u1ebfn l\u01b0\u1ee3c: Nh\u1eefng \u0111\u01b0\u1eddng n\u00e9t ki\u1ebfn tr\u00fac c\u1ee7a b\u1ed9 s\u01b0u t\u1eadp Averbakh<\/strong><\/p>

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\u0110\u01b0\u1ee3c \u0111\u1eb7t t\u00ean theo Yuri Averbakh, m\u1ed9t trong nh\u1eefng nh\u00e0 l\u00fd thuy\u1ebft v\u0129 \u0111\u1ea1i nh\u1ea5t c\u1ee7a c\u1edd vua hi\u1ec7n \u0111\u1ea1i v\u00e0 b\u1eadc th\u1ea7y v\u1ec1 giai \u0111o\u1ea1n cu\u1ed1i tr\u1eadn, b\u1ed9 c\u1edd n\u00e0y \u0111\u1ea1i di\u1ec7n cho th\u1eddi k\u1ef3 ho\u00e0ng kim c\u1ee7a Tr\u01b0\u1eddng ph\u00e1i C\u1edd vua Li\u00ean X\u00f4. Th\u01b0\u1eddng \u0111\u01b0\u1ee3c s\u1eed d\u1ee5ng trong c\u00e1c gi\u1ea3i \u0111\u1ea5u danh gi\u00e1 c\u1ee7a th\u1eadp ni\u00ean 1950 v\u00e0 1960, thi\u1ebft k\u1ebf n\u00e0y n\u1ed5i ti\u1ebfng v\u1edbi nh\u1eefng \u0111\u01b0\u1eddng n\u00e9t t\u1ed1i gi\u1ea3n, t\u0103ng c\u01b0\u1eddng s\u1ef1 t\u1eadp trung v\u00e0 c\u00e2n \u0111\u1ed1i ki\u1ebfn tr\u00fac. Th\u1ec3 hi\u1ec7n ph\u01b0\u01a1ng ph\u00e1p khoa h\u1ecdc c\u1ee7a Averbakh, n\u01a1i b\u00e0n c\u1edd \u0111\u01b0\u1ee3c xem nh\u01b0 m\u1ed9t ph\u00f2ng th\u00ed nghi\u1ec7m, c\u00e1c qu\u00e2n c\u1edd v\u1edbi th\u00e2n m\u1ea3nh mai v\u00e0 h\u00ecnh d\u00e1ng \u0111\u01a1n gi\u1ea3n t\u01b0\u1ee3ng tr\u01b0ng cho h\u00ecnh th\u1ee9c thu\u1ea7n khi\u1ebft nh\u1ea5t c\u1ee7a tr\u00ed tu\u1ec7. B\u1ed9 c\u1edd n\u00e0y kh\u00f4ng ch\u1ec9 l\u00e0 c\u00f4ng c\u1ee5 ch\u01a1i game; n\u00f3 l\u00e0 tuy\u00ean ng\u00f4n th\u1ecb gi\u00e1c c\u1ee7a th\u1eddi k\u1ef3 th\u1ed1ng tr\u1ecb c\u1edd vua Li\u00ean X\u00f4 v\u00e0 s\u1ef1 giao thoa c\u00f3 k\u1ef7 lu\u1eadt gi\u1eefa ngh\u1ec7 thu\u1eadt th\u1ee7 c\u00f4ng v\u00e0 chi\u1ebfn l\u01b0\u1ee3c.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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M\u1ed9t hi\u1ec7n t\u01b0\u1ee3ng v\u0103n h\u00f3a:\u00a0<\/b> Di s\u1ea3n Latvia c\u1ee7a Beth Harmon<\/b><\/p>

Bi\u1ec3u t\u01b0\u1ee3ng c\u1ee7a kho\u1ea3nh kh\u1eafc c\u00e1ch m\u1ea1ng khi v\u0103n h\u00f3a \u0111\u1ea1i ch\u00fang h\u00f2a quy\u1ec7n v\u1edbi c\u1edd vua, b\u1ed9 c\u1edd n\u00e0y l\u00e0 b\u1ea3n sao c\u1ee7a thi\u1ebft k\u1ebf huy\u1ec1n tho\u1ea1i \u201cSoviet Latvian\u201d th\u1eadp ni\u00ean 1950. Xu\u1ea5t hi\u1ec7n trong tr\u1eadn \u0111\u1ea5u cu\u1ed1i c\u00f9ng \u0111\u1ea7y k\u1ecbch t\u00ednh gi\u1eefa Beth Harmon v\u00e0 Vasily Borgov, nh\u1eefng qu\u00e2n c\u1edd v\u1edbi d\u00e1ng v\u1ebb thon d\u00e0i, cao r\u00e1o v\u00e0 thanh l\u1ecbch n\u00e0y \u0111\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn l\u00e0 m\u00f3n \u0111\u1ed3 y\u00eau th\u00edch c\u1ee7a nh\u00e0 v\u00f4 \u0111\u1ecbch th\u1ebf gi\u1edbi Mikhail Tal, \u201cPh\u00f9 th\u1ee7y t\u1eeb Riga\u201d. \u0110\u01b0\u1ee3c ch\u1ebf t\u00e1c t\u1eeb g\u1ed7 b\u1ea1ch d\u01b0\u01a1ng v\u00e0 g\u1ed7 h\u1ed3ng \u0111\u00e0o s\u01a1n \u0111en, thi\u1ebft k\u1ebf n\u00e0y l\u00e0 bi\u1ec3u t\u01b0\u1ee3ng trung t\u00e2m c\u1ee7a \u201cHi\u1ec7u \u1ee9ng Queen's Gambit\u201d, \u0111\u00e3 k\u00edch ho\u1ea1t l\u00e0n s\u00f3ng quan t\u00e2m c\u1edd vua to\u00e0n c\u1ea7u. N\u01a1i ngh\u1ec7 thu\u1eadt ch\u1ebf t\u00e1c g\u1eb7p g\u1ee1 k\u1ec3 chuy\u1ec7n \u0111i\u1ec7n \u1ea3nh, b\u1ed9 c\u1edd n\u00e0y l\u00e0 minh ch\u1ee9ng m\u1ea1nh m\u1ebd cho s\u1ee9c h\u00fat ph\u1ed5 qu\u00e1t c\u1ee7a c\u1edd vua trong th\u1eddi \u0111\u1ea1i hi\u1ec7n \u0111\u1ea1i.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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M\u1ed9t Th\u00e0nh Ph\u1ed1, M\u1ed9t Danh Hi\u1ec7u, M\u1ed9t Huy\u1ec1n Tho\u1ea1i:\u00a0<\/b>Di s\u1ea3n \u201cBaku\u201d c\u1ee7a Leningrad<\/b><\/p>

\u0110\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn trong gi\u1edbi c\u1edd vua v\u1edbi t\u00ean g\u1ecdi \u201cBaku 1961\u201d, thi\u1ebft k\u1ebf n\u00e0y th\u1ef1c ch\u1ea5t l\u00e0 m\u1ed9t ki\u1ec7t t\u00e1c c\u1ee7a x\u01b0\u1edfng Artel Drevprom \u1edf khu v\u1ef1c Leningrad. T\u00ean g\u1ecdi n\u00e0y \u0111\u01b0\u1ee3c \u0111\u1eb7t sau khi b\u1ed9 c\u1edd \u0111\u01b0\u1ee3c s\u1eed d\u1ee5ng b\u1edfi nh\u1eefng k\u1ef3 th\u1ee7 h\u00e0ng \u0111\u1ea7u nh\u01b0 Mikhail Tal trong Gi\u1ea3i v\u00f4 \u0111\u1ecbch Li\u00ean X\u00f4 n\u0103m 1961 t\u1ed5 ch\u1ee9c t\u1ea1i Baku. D\u00e1ng v\u1ebb \u0111\u1eb7c tr\u01b0ng v\u1edbi nh\u1eefng th\u00e2n c\u1edd d\u00e0i v\u00e0 thon g\u1ecdn c\u1ee7a n\u00f3 ch\u00ednh l\u00e0 bi\u1ec3u hi\u1ec7n thu\u1ea7n t\u00fay c\u1ee7a phong c\u00e1ch Leningrad Modernism.<\/p>

\u0110\u01b0\u1ee3c l\u00e0m t\u1eeb b\u1ed9t g\u1ed7 n\u00e9n thay v\u00ec ch\u00ec do thi\u1ebfu h\u1ee5t nguy\u00ean li\u1ec7u trong th\u1eddi chi\u1ebfn, nh\u1eefng qu\u00e2n c\u1edd n\u00e0y ch\u1ee9ng minh r\u1eb1ng ngh\u1ec7 thu\u1eadt th\u1ee7 c\u00f4ng v\u1eabn c\u00f3 th\u1ec3 gi\u1eef \u0111\u01b0\u1ee3c v\u1ebb \u0111\u1eb9p th\u1ea9m m\u1ef9 ngay c\u1ea3 trong \u0111i\u1ec1u ki\u1ec7n kh\u1eafc nghi\u1ec7t. V\u1edbi h\u00ecnh d\u00e1ng th\u1ebf t\u1ee5c v\u00e0 t\u1ed1i gi\u1ea3n, ho\u00e0n to\u00e0n lo\u1ea1i b\u1ecf c\u00e1c bi\u1ec3u t\u01b0\u1ee3ng t\u00f4n gi\u00e1o, b\u1ed9 c\u1edd \u0111\u00e3 tr\u1edf th\u00e0nh m\u1ed9t c\u00f4ng c\u1ee5 chi\u1ebfn l\u01b0\u1ee3c ph\u1ed5 qu\u00e1t. Mang d\u1ea5u \u1ea5n ngh\u1ec7 thu\u1eadt c\u1ee7a m\u1ed9t Kasparov tr\u1ebb tu\u1ed5i, ng\u01b0\u1eddi \u0111\u00e3 l\u1edbn l\u00ean ch\u01a1i v\u1edbi nh\u1eefng qu\u00e2n c\u1edd n\u00e0y \u1edf Baku, thi\u1ebft k\u1ebf Leningrad n\u00e0y l\u00e0 m\u1ed9t v\u00ed d\u1ee5 \u0111i\u1ec3n h\u00ecnh v\u1ec1 c\u00e1ch m\u1ed9t t\u00ean g\u1ecdi sai l\u1ea7m c\u00f3 th\u1ec3 tr\u1edf th\u00e0nh m\u1ed9t huy\u1ec1n tho\u1ea1i to\u00e0n c\u1ea7u.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

A Strategic Legacy:\u00a0The Architectural Lines of the Averbakh Set \u00a0 Named after Yuri Averbakh, one of the greatest theorists of modern chess and a master of the endgame, this set represents the golden age of the Soviet Chess School. Frequently used in the prestigious tournaments of the 1950s and 60s, this design is renowned for […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":743,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-826","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/pages\/826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/comments?post=826"}],"version-history":[{"count":10,"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/pages\/826\/revisions"}],"predecessor-version":[{"id":1195,"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/pages\/826\/revisions\/1195"}],"up":[{"embeddable":true,"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/pages\/743"}],"wp:attachment":[{"href":"https:\/\/shatranj.art\/vi\/wp-json\/wp\/v2\/media?parent=826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}